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TARDIS Guide

Overview

First aired

Saturday, May 31, 2008

Production Code

4.9

Written by

Steven Moffat

Directed by

Euros Lyn

Runtime

45 minutes

Time Travel

Future

Tropes (Potential Spoilers!)

AI gone wrong, Meeting in the wrong order, Robots, Spoilers

Story Arc (Potential Spoilers!)

River Song Timeline

Location (Potential Spoilers!)

The Library

UK Viewers

6.27 million

Appreciation Index

89

Synopsis

The Tenth Doctor takes Donna Noble to a planet-sized library in the 51st century. They find it empty of human life, with countless other living beings. An information kiosk warns them to "count the shadows". An archaeological expedition arrives, lead by the mysterious Professor River Song, who brings the cryptic last message sent from the library: "4022 saved, No survivors".

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6 reviews

New Who Review #50


Silence In The Library


This story was really good. I haven't really been enjoying series 4 up until this point but this episode was so good. The whole premise of 4022 people going missing even though they were saved but they didn't survive is creepy. Its a very confusing story but when you get your head round it it's so good. There's the whole other story with River Song and who she is. At the time I assume this was pretty exciting. Having a big character and not knowing who she is and having to wait just like the doctor to find out. There's a reason River is so loved and its because she's a very very good character.  This story is actually really scary and I love it. This era hasn't really been scary up to now and it's felt more family friendly but this story changes that. It's so dark and weird that I can't help but love it. Overall amazing story and episode. 10/10


Jann

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This review contains spoilers!

Oh boy those River Song foreshadowing’s drive me nuts now. I will admit though it was still a genius move from Moffat to get fans hyped for his takeover of the show by introducing a companion the Doctor’s yet to meet (which is laughable now thanks to Big Finish), and flat out tell the fans that they’re in for exciting times ahead. Even though yes, the fact that everything Moffat promised us with River Song ended up completely underwhelming which does damage this story slightly, but not enough to make me think less of it. This to me was the start of the strongest back-to-back run of episodes in Modern Who, you had this two-part classic, the very beloved Midnight, followed by Turn Left and while the Series 4 finale is somewhat divisive you can’t argue how massive and epic it was. This run of stories was Modern Who at its peak and it all kicks off with yet another homerun from Steven Moffat.

The Doctor takes Donna to the biggest library in the universe with every written book throughout recorded history, but they quickly find that they’re the only ones on the planet. Something has caused the disappearance of every visitor and staff member on the planet leaving the library in complete silence. Except the Doctor and Donna are not quite the only lifeforms left as something is lurking in the shadows.

My god, I really miss this kind of Moffat story, the ones where he just had so many great ideas but knew how to keep them balanced and not get carried away. You have the library, the mystery about it being a dream inside a little girl’s head, the information statues with real faces on them, the monster literally being the shadows themselves, the introduction of River Song, the data ghost, the virtual reality Donna ends up trapped in and the climax that ties everything all together beautifully. It’s just brilliant idea after brilliant idea and they all get the exact amount of time needed dedicated to them, some are very brief but leave such an impact, others are gradually developed throughout the story to a satisfying payoff.

While it’s not as terrifying as some other noticeable episodes in the show, this one does creep under your skin and give you this unsettling feeling right from the beginning, playing on basic fears of a large seemingly empty library, some unseen force turning out the lights, and then you have the darkness itself being a monster that strips the flesh from its victims.

Really my only issues with this story are as I mentioned earlier the whole River Song deal is a bit awkward to look back on now that we’ve had the full context of everything Moffat teased us with in this story, also River’s ending in this story is somewhat questionable. I get going for a fairy tale ending to keep the kids happy, this was at the point where it hadn’t been done to death in the show but having River Song spend all of eternity in a computer with the virtual avatars of some people she never really got along with in the first place. Am I the only one who thinks that’s a fate worse than death???

But apart from that, I absolutely adore this story, it’s kind of that story I look back on fondly and go “wow, remember when Moffat used to write this on a regular basis?”


DanDunn

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interestingggg


gabe_the_cool

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I think this episode and part two might be the best Doctor Who ever written.

The Vashta Narada would have had me hiding behind the sofa if there weren't shadows back there. Doctor who will have you scared of the most mundane things.

Also, hello River Song! I love you so much!


CptnOfTheYellowSub

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This review contains spoilers!

Just rewatched this for what feels like the millionth millionth time, and honestly, it’s still fantastic. I wish I could remember experiencing it as a kid-imagining all the theories about who River Song might be, what happened to Donna, and who that mysterious kid is must have made me insufferable for my parents during the week-long wait! I probably would’ve been terrified too- this episode is genuinely scary.

The writing is excellent, though I do think some of the supporting characters feel a bit underdeveloped, mostly there to be picked off (or rather, eaten). Still, it’s an outstanding episode overall.


silvertongue

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Statistics

AVG. Rating963 members
4.51 / 5

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Quotes

Add Quote

DOCTOR: I love biographies.

DONNA: Yeah, very you. Always a death at the end.

DOCTOR: You need a good death. Without death, there'd only be comedies. Dying gives us size.

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Transcript + Script

(To a background of nursery music.)

MOON [OC]: Close your eyes, and tell me what you see.
GIRL: The library.

(A massive, futuristic building which she is floating above.)

MOON [OC]: Open your eyes again. Where are you now?

[Girl's home]


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