Missy was/is a great character, played wonderfully by Michelle Gomez, and a character you just want more of. Though I have heard her before in the Once and Future series and in Masterfull, this is her own vehicle. I was somewhat underwhelmed by the River Song series I heard, it didn’t seem to really capture the essence or charm that River had in the TV series. So Is this any better?

Missy has been confined to 19th century Earth by the wardens for her crimes. Unable to use technology and her usual methods she’s forced to take a position as governess to two children.

This audio was a breath of fresh air, its kind of a cross between the Famous Five and Mary Poppins. The fact that these two children Lucy and Oliver, instead of the normal stuffy old teachers they’ve been used to, are now looked after by an exciting woman who doesn’t stick to the rules. Missy isn't taking her predicament lying down, she has a plan.

I found it really enjoyable, perhaps not quite what I expected. An audio series based on a ostensibly evil person, its a bit like watching a horror film from the killers perspective and wanting them to succeed. But you kind of know its not going to do exactly that.

There are parts about a museum, the father works with trains and an entity trapped in a bottle. I did wonder where it was all heading, as it seemed to have no real aim, but it was fun to be along fro the ride. It does all come together and its worth the journey.

There are little bits of narration along the way, nothing too heavy, I would’ve preferred it without, however some of the audio is taken from the children’s point of view, so it does help.

Its a terrific start and if the following episodes continue to be as enjoyable then it looks to be a great series.

Thworping through time and space, one adventure at a time!

“A Spoonful of Mayhem: Missy's Mischief in Victorian London”

Roy Gill has the distinction of penning A Spoonful of Mayhem, the inaugural Big Finish story for Missy. This adventure dives straight into the bonkers, chaotic persona of Missy, brought to life by Michelle Gomez’s sharp, sassy, and delightfully unhinged performance. Right from the opening moments, Gomez commands the narrative, reveling in Missy’s trademark unpredictable charm—even when ostensibly bound to someone else's agenda.

Set in Victorian London, the story feels like it could slot seamlessly into a Capaldi-era episode, with Missy taking on the role of a nanny for two children. Unsurprisingly, this unconventional arrangement leads to mayhem, hilarity, and chaos. The Victorian setting is atmospheric, but the narrative execution struggles at times.

The script leans heavily on characters narrating their actions, which feels clunky and unnatural, particularly for the two children at the story’s core. Their dialogue often fails to capture authenticity, a shame given how much of the plot hinges on their interaction with Missy and their perspective on her peculiar mission.

While the premise is fun and full of potential, it doesn’t quite reach the heights it aspires to. The "genie in a bottle" subplot, for instance, feels underdeveloped, leaving it more as a curiosity than a compelling central element. The third act, set aboard a train, becomes chaotic and muddled, leading to a rushed and unsatisfying conclusion.

📝Verdict: 6/10

Missy’s debut story captures the character’s essence with Michelle Gomez’s stellar performance, but the overall execution feels uneven. A promising start to Missy’s Big Finish journey, though it could have benefited from tighter writing and more polished storytelling.

Such a really fun riff on Mary Poppins, with Missy's more devilish side providing some darkly comic moments. This is *exactly* the story I was hoping for from a Missy spin-off.