Huh, well this was certainly an interesting listen. The Fearmonger has a lot going on; demagogues, assassinations, backstabbing's, terrorist groups, a supernatural entity which prays off people's fear and prejudices. There's some great concepts here and it seems right up my alley so going into this one I was rather excited. I did end up enjoying it a fair amount but not without reservation. To begin with it's worth mentioning that this is the first full Seventh Doctor audio and of course the return of his definitive companion, Ace. And of course they are both phenomenal here. With some of the other returning actors it's felt like it's taken them a little bit to get back into the role again, however with McCoy and Aldred they are just straight back into it like no time has passed at all. They feel exactly the same as they did on TV, which is to say utterly perfect.

Now onto the story itself, in terms of the actual characters and plot I wouldn't exactly call it the most compelling thing in the world. Harper is sadly underdeveloped, it's fine for her to be one note as that's sort of her character but even still she doesn't get much to do and isn't particularly threatening or convincing as a charismatic leader. I find the rest of the cast similarly forgettable, I often had to refer to the wiki page to remind myself who was who, and in the middle few parts the plot does move along a little too slowly for my liking. However where I find this story really has a lot of merit is on it's political commentary. This story explores the themes of fear and prejudice, where they come from and how they affect people and in turn the political landscape. This is a very interesting theme to explore and The Fearmonger is a good way to establish fear as an actual material threat. However in the last part this story cooks up a bit of a curveball; it turns out that The Fearmonger was only inhabiting the mind of people who thought they could hear it in others. This is a very clever twist as if you're perceptive you may notice that only one person at a time "hears" The Fearmonger. First Walter, then Ace. The scene where the Doctor has to convince Ace of this is fantastic. It's very reminiscent of the "I knew" scene from Curse of Fenric, it really pushes their dynamic and trust in one another and both actors put in a wonderful performance. However, while I do like this twist, I'm less thrilled with how they tried to tie it in the theme. The Doctor makes an odd point which weirdly seems to abdicate Harper's side. "Who was doing more to scare others? The one's with the speeches of the one's with the guns?" It seems like the point being made here is that it was the violent reactions of people like Walter that was stoking fear, when in reality, Harper has just as much, if not more responsibility to bear. It was her divisive and xenophobic rhetoric that lead to people getting violent in the first place right? This seems like something the story understood very well. Both sides have responsibility for the worsening situation in this case, and to me it seemed like the story was exploring this well until this odd moment at the end. I still think this is a good story, I enjoy a lot about it, especially the themes and the commentary, it just ended up leaving me a bit confused and underwhelmed. 7/10 / 3½ stars.

Well this story was certainly interesting. I notice it's the lowest rated in the MR so far so forgive me for my contrarianism as I say I actually quite enjoyed it and certainly think it was a big improvement over the last two stories. To begin with I just want to say I absolutley love Five and Nyssa as a duo in this. In his TV run Five's TARDIS teams are always chaotic and based around some sort of form of squabbling or conflict, and while that works fantastically, particularly for how Davison plays the role on TV, his dynamic here with Nyssa is a wonderful change of pace. I think it works especially well because both Davison and Sutton's voices have aged quite a bit. Davison still brings the youthful energy but he's also got the manner of an aged professor and Sutton is perfectly playing the role of an inquisitive and intelligent student. It feels like they both appreciate each others knowledge and perspectives a lot and they work together in a functional way that would probably be totally derailed if you were to throw an Adric, Tegan or Turlough into the mix.

The story itself I reckon is fine. It's essentially a BUS, which is a format I love and I do really like the setting of an old house in Alaska. Unfortunately however this story did lose quite a but of steam for me as it went on. The concept of the Permians, skeletal dinosaur-like creatures is pretty cool and if this story had kept to being an atmosphere led BUS as it had been for the first half it would have been awesome. However as you enter the second half, things do get a bit muddled. Things just get needlessly complicated, especially when you start dealing bio-electronic fields and their associated techno babble. It's funny because one worry producers had about having very intelligent companions is that it would confuse viewers too much ass there was no reason to having things explained in basic terms. This is one of the reasons why they got rid of Liz Shaw at the end of S7. I don't happen to agree with this view, although it does come up as an issue here; I don't think this is a fundamental issue with having a very smart companion, I honestly think in this scenario it's just bad writing and poor communication. There's also some weird thing about spiritualism going on here. One of the characters believes this is happening because of some old supernatural superstition and I think the story is trying to execute some sort of theme about the spiritual vs the rational. Thing is though, this theme is so underdeveloped to the point where I don't even know what the story is trying to say. Is it trying to find a middle ground between the two, saying that a balance between them can exist, or is it coming down purely on the rational side? I don't know and this is one of the best examples of how the story here gets needlessly muddled. The side characters are also a bit ehh, none of them make much of an impression with the exception of Monica, who gets some great and lines and, in the absence of Tegan plays off and banters with the Doctor quite well. Overall this story has some elements I really enjoy but sadly a few things that let it down. I'm tempted to give it a 7/10 but I think that's just because of how much I enjoy this Doctor/Companion duo. So I'll give a 6.5/10 and in accordance round down to 3 stars.

Alright, Whispers of Terror. This is both mine and Big Finish's first audio story with the Sixth Doctor. I've been looking forward to getting into Colin Baker's audio stories for a few reasons. One of them is that I've heard Six's stories are some of the best in the MR, but more importantly because I have some... well mixed feelings on the Sixth Doctor and how he was portrayed in his TV run. I really like the concept behind him; a loud and theatrical character who is confident about speaking truth to power. I think Six, in his TV run at least, is at his best when he gets to stand up to corruption and establishment (i.e his speech to the Time Lords in The Ultimate Foe). However I don't think this concept is often executed particularly well. Especially in season 22, it feels like in an effort to make the doctor more confrontational they end up making him feel more mean spirited and aggressive. He acts so arrogant to the point of lacking respect or even compassion for anyone other than himself. The way he treats Peri I find particularly uncomfortable as she is the victim of a lot of unrequited aggression from somebody who is supposed to be her friend. However I have heard from numerous people that these character issues are fixed and that his character got reworked for the audios, emphasising the Doctor’s more compassionate side while still maintaining his self confidence. So going into this audio the one thing I am expecting is more mellow characterisation of the Doctor and a more friendly dynamic between him and Peri.

Unfortunately, however, I don’t really feel like this was fulfilled. I didn’t end up liking the story all that much and this is one of the main reasons. Their dynamic is not as bad as in some S22 stories but it still rubs me the wrong way. Six starts off this story by yelling at her about how unnecessary yelling is. I don’t find this lack of self awareness funny, I find it arrogant and annoying. From what I gather though this seems to be pretty common consensus and the ‘reworking’ of Six’s character really starts with The Marian Conspiracy. A story which I’ve heard a lot of good things about so I will reserve judgement until then

Finally, on the story itself, it was… fine? I guess. Conceptually it’s amazing. The idea of having audio related villains for an audio format seems quite obvious but it’s still a very interesting concept. I do like some of the mystery elements in the story and the stuff where they play around with audio editing but overall this story just doesn’t come together as an enjoyable experience for me. This is because I just do not think the execution is there at all. The worldbuilding here is practically non existent. I know that Pernell wants to overthrow democracy but I have no idea as to why exactly or what democracy even looks like in this society. She’s just given the most typical wannabe dictator characterisation imaginable and we’ll call it there. The rest of the cast are just as one note which is impressive given that this entire story is set in one place and we only meet a few people. I’m ragging on this story quite a bit but it is a moderately more enjoyable experience than Phantasmagoria. I gave that a 5/10 but I don’t feel like this is deserving of a 6/10 so I’ll give it a 5.5/10 and since that has no equivalent on the star system I’ll just round it down to 2 1⁄2 stars.

Well, continuing on with the Main Range. Here we have Phantasmagoria, this is the first Big Finish story to focus around one doctor and the first to feature a companion. Given how much of an important story this is for Big Finish it's disappointing how much of a nothing burger it is. I don't even have an awful lot to say on it, it's not a bad story by any means, in fact there's a number of good elements, it just struggles to actually be entertaining of memorable in any way. I suppose starting with the things I do like about this story, I think the setting is very good for Five. He works well in this kind of environment, he particularly plays off characters like Holywell quite well; in fact this story has some good moments of humour from both Turlough and the doctor. Turlough is probably my favourite part of this story. He has the perfect level of snark and pessimism, yet still ultimate kindness that he should have by this point in his character arc. So the characterisation is good but the story is just... eh. Even now I'm struggling to remember what exactly happens, it doesn't help that the audio format makes it a bit harder to follow. The plot just moves along too slowly and even though I like the setting, it's not really used very well. Things do get a tad more interesting in the final part where the villain's plan comes together but it's just too little too late. Not a bad story, just sadly a bit forgettable. 5/10 / 2½ stars.

Alright well I've been putting it off for 8 months now, I suppose it's finally time to get cracking on Big Finish. And since I have the bad brain worms that means I have to commit to doing all of the Main Range in order. Yay me! So this is the first story they did, Sirens of Time and for what it is I think this is a rather good start for Big Finish. What I enjoy most about this audio, which I imagine is what was the biggest draw for people listening as it came out, was once again hearing the same actors reprise their roles later on in life. It's really fantastic that Big Finish exists, if only for the fact that we have so many more performances from these actors as the doctor. They're all doing a marvellous job here as well. McCoy is basically doing the same stuff he did on TV, Colin's voice has aged a little bit but he is still giving it the same energy, and I would say the same about Davison as well. His performance here is actually the one I appreciate the most because his voice is by far the most aged of the 3 and even though he no longer sounds like a young man, he still brings across the youthful energy even more so than he often did on TV which I think is really impressive.

The story itself is fine. It takes on what I assume will be a different structure to future BF stories in that each part is separate and tells it's own story. Of these I enjoyed Parts 2 and 3 the most. Part 1 I did not find all too interesting, but Part 2 was a much stronger on characters (especially Helen) and setting, and Part 3 had the most interesting story of the lot. Part 4 was a bit messy. It was really enjoyable hearing the main 3 bounce off each other, they're all fantastic and the dialogue between them is quite sharp, but I did find the actual story a bit muddled and very exposition heavy. I don't know if this will just be a thing for early BF stories but it feels like they don't have a perfect handle on how to tell stories and convey information through the audio drama format. The Sirens of Time are rather trite villains and the way they are ultimately defeated is a bit easy and convenient but I do like how it relies on the point of the difference in moral code and outlook between the different incarnations of the doctor. I like how the decision Six makes at the end creates a bit of tension between him and Five. They're too very different incarnations with a lot of Five's character arc being about trying to be optimistic and peaceful but continually getting beaten down by the world which eventually leads into him becoming a slightly gruffer and more pragmatic character as Six. Hopefully this is something they continue to expand on with the two characters going foward. Overall this story is fine, it's nothing particularly special or amazing but it gets the ball rolling just fine. Next up is Phantasmagoria, a full Fivey story yay!! 7/10 / 3½ stars.

From what I gather this is a story that tends to get ragged on a bit by the fandom and to be honest, I don't really see why. I believe this is the first Doctor Who story they ever shot out of sequence, meaning this is the first story they filmed with the new Doctor. Considering this I think Peter does an amazing job, he gets right into it, running about and giving the same energetic yet troubled performance you see in the rest of this season. I think this story works well because of where it's placed in the season. This is Five's first regular story and it's also placed in between Castrovalva and Kinda, two very unique stories that lean into more abstract concepts. In comparison this one feels like a very regular Doctor Who story, and it functions well as that.

For this era especially I think this story is very well made. The sets look great compared to other sets around this time; the costumes are great as well, particularly the urbankans who I think are underrated. The plot is fairly good, Monarch wanting to use earth's resources to fuel his own delusions of meeting himself at the beginning of time. While the side characters are not the most interesting the visual design and story carries it. There is however one element about this story that I am inclined to agree with the haters on, this is probably the poorest showing for Five's companions. Nyssa gets little to do, Tegan spends most of her time complaining and being unhelpful, and this story probably more than any other can be pointed to as causing the fandom's long standing hatred for Adric. Still I think this is a fun story and a good outing for Five, it was in fact his cricket ball moment in Part 4 that made him my favourite classic Doctor when I fist watched this story. 8/10 / 4 stars.

I'm going through the Davison era again with a friend now so what better time than to get reviews for all these stories up on this website. I absolutley adore this story, probably more than I should. Nonetheless I do think it holds up very well as both a cool story on it's own and an introduction for this new era. It was an interesting choice having the Doctor out of action for a lot of this story but I do think it works in showing what this incarnation is all about, especially in S19. The starting point of his character is someone who lacks the presence of what you'd expect from the Doctor; someone who is often overpowered and is very reliant on others. All in all this story does a great job of setting up what his character will be like for the rest of the season. Davison wonderfully portrays all the youthful energy, gentle demeanour and dry wit that will define this character.

I think this is a fantastically creative story as well. It's a lot crazier than a typical regeneration story and I love it for that. Things just seem a little off in Castrovalva and the way the discrepancies are slowly built up is great and I love the sequences of the characters running around getting stuck in loops and trying to make sense and explain what is going on. Ainley is great in this story as always and as far as the companions go, Adric may get shafted a little bit but overall Castrovavla does a much better job of balancing the three companions then other stories in S19. I just love this story so much because it feels very cosy; it's got that light and jovial feel that a lot of early fifth doctor stories have before it all starts to go wrong. The fifth doctor's first Tardis team is unbelievably cracked and I'm really happy to be revisiting this era and reexperiencing the wonder of Five failing to be a surrogate parent to his three gay children. 9/10 / 4½ stars.

The Edge of Destruction is a wonderful little story. Being just set in the TARDIS and just starring the main team members it could easily get stale but at just 2 parts it doesn't overstay it's welcome. This episode is sort of psychological horror given that there's no tangible villain, just the minds of the characters being messed with. And as a psychological horror it functions very well. As the characters are stuck in the TARDIS there is a sense of claustrophobia; the lighting and music are also used much more effectively to create a sense of atmosphere then you would expect to see in a lot of the Hartnell era.

Where this story shines though is on it's characterisation. The Hartnell era is great because you can watch the active process of the high Gallifreyan mindset get deprogrammed from the Doctor's head by the companions and you see him develop into a more heroic character. This is a great example of this. Barbara gets to tear the Doctor apart here, it's brilliant and Jacqueline Hill performs it so well. The Doctor's character up to this point has been quite sketchy, he tried to kill an innocent man in An Unearthly Child and deceived Ian and Barbara into going into the city in The Daleks. In this story he similarly has moments of deceptiveness and kinda just being a dick but he is called out and at the end of the story comes round and apologises to Barbara showing his growth as a character. It's very clear that this story is a turning point in strengthen the Doctor's relationship to his friends. Hartnell is on fire here. He gets moments of deceptiveness, brashness, whimsy, kindness and a beautifully written monologue, all of which he delivers fantastically. I feel like I a have a tendency to underrate Hartnell because my god... he's just perfect. Overall this is a story that functions as a cool psychological horror as well as a great character piece and turning point for the Doctor. 8/10 / 4 stars.

As a big fan of S21 of Classic Who the premise of this novel intrigued me. S21 has a much darker feel than the rest of Five's era. It puts the kindest and most vulnerable Doctor into increasingly dark situations where he finds being trying to be a good person more and more impossible. I think it's an approach that brings the most interesting stuff out of the character as well as the best performances from Davison and just in general across the show. From how people described this novel it seemed like it would adapt the same sort of "there should have been another way" attitude from that season and indeed it does (that line even gets used).

At the risk of the stating the obvious this book is *dark*. Just on pure tone probably one of the darkest DWU stories ever. Not one character who isn't a member of the TARDIS team makes it out of here alive, including characters who the book makes great pains to flesh out. This book is just really good at slowly building tension. It's mostly a small cast of characters in small, claustrophobic areas with that feeling of claustrophobia and tension being brilliantly and methodically built up throughout. But what takes this book up from just being a cool and creepy gothic horror story is the superb characterisation. With the side characters being killed off in order of importance it did make some feel quite disposable, but nevertheless this book had some great characters with the most notable examples being Stoker and Bunny (the death of the latter was heart wrenching, as a lot of time was dedicated to how much he just wanted to get back to his daughter). Tegan and Nyssa were also excellent, both getting active things to do in the story and acting exactly how I would expect their characters to under the circumstances. But my favourite thing about this book is how the Doctor is written. The wonderfully youthful and energetic energy Davison brought to the role comes across brilliantly here but he also has darker moments. Five is pushed to the absolute limit here and as such is forced into doing some less than ideal things. The dark is shown to be messing with his mind throughout the book but it's left ambiguous (I believe intentionally) how much the Doctor's actions are his mind being perverted vs the actions he takes in desperation. He manipulates and uses people to his advantage ala 7 but it never crosses over the boundary into outright cruelty. E.g the scene where he bribes Oldeman with Neurolectrin before revealing that he had already given it to him before he woke up. Five is still reassuring to people and you always get the sense of his actions being out of a want to help as many people as possible, even if that doesn't always mean doing the nicest things short term. That is something that the Fifth Doctor excels in and something that can be very difficult to write.

This book is not perfect however; the ending feels very rushed. The Dark has a haunting and powerful presence throughout and this is somewhat lost when it takes physical form at the end. While the way the image of a dark and twisted version of the Doctor is described is very haunting, it also serves to demystify The Dark and like it just gets defeated by being shot. The thing that caused so much misery and was so powerful is done away pretty easily when it takes physical form. Why did it even do that? Seemed much more powerful as just "ooh big scary shadows". While the story doesn't quite stick the landing though it is still excellent and one of the prime examples I would point to of how to write for the Fifth Doctor. I definitely recommend it to all but especially fans of Five. 9/10 / 4½ stars.

To me this story serves as a perfect example of how to do a Base Under Siege story and why Troughton's era does them much better than other eras. It uses it's long runtime and the fact that it's largely set in the same few rooms to create a really eery atmosphere and sense of claustrophobia. The London Underground setting really helps add to this as most of it is set in small corridors with dark lighting (which almost distracts you from how unthreatening the Yeti design is). The score is probably the thing that contributes the most to the atmosphere. It's so creepy and all of these elements work together very well.

Another thing I really like about this serial is the characters. The return of Travers is cool and creates a nice though line between this and abominable snowmen as well as the return of the great intelligence. He has a daughter who is wonderful in this story. She's a scientist and gets to work with the doctor a lot along with delivering a good feminist message for the time. I also enjoyed the sketchy journalist character and this marks the first appearance of Nicholas Courtney as Lethbridge-Stewart. It's easy to see why he became a main stay because he certainly makes a mark here, giving that sceptical yet still grounded approach that his character would later do so well in Pertwee's era.

Overall while this story is not perfect (it does suffer from some pacing issues) I think it's really well written and the perfect example of how to make a tense Base Under Siege story. (Also for this rewatch checking out the animation was definitely... an experience. Will be sticking to recons in future.)