19.02.2022

Meh. Perfectly listenable and perfectly forgettable. The villains are very campy and simplistic, which didn't work for me this time. The reveal felt more like a rugpull than a payoff.
Peter Davison's got a really nice and smooth voice. It's remarkable how at the start of his era I felt his was the blandest yet.
Also Doctor casually commits another genocide. Out of principle I will give it 0/5, because I don't see what else this story is about.

MR 010: Winter for the Adept

Well I did say for the Fifth and Seventh Doctors to get their act together. And it seems they did. This one is quite good. I also have been known to say that Doctor Who can be dropped into any story and it can work. This is a great example of that. This is a straight up ghost story. There's a psychic, a telekinetic, poltergeist activity, and a REAL ghost.

An evil alien from another dimension has been opening up a portal for an invasion fleet with the use of human psychics and a human ghost. Yes. That's the summary. And it's not super important.

The important thing is that the atmosphere is quite well done here. The haunting music, the sound effects of things moving about, the piano playing on its own. It sounds like a haunted house. And what a great setting for a haunted house too: a super expensive finishing school in the middle of the Swiss Alps in a blizzard. Totally isolated. A lot of it reminded me of Luigi's Mansion because that was one of my favorite games as a kid.

This story also features India Fisher in a pre-Charley role, which was wild. Her voice is so recognizeable that I was thrown off for a second. This is also probably the first time I've ever had Nyssa in a story and felt like she had a personality. She's actually on the Doctor's ass. Constantly berating him for accidentally teleporting her here and being sarcastic about his failures.

I'm also, hopefully, kind of starting to understand the appeal of the Fifth Doctor as well. He mumbles a lot, he's very easy to push around, he seems very unsure of himself, and he stutters a lot. Maybe that's the appeal? He's someone you want to protect? Regardless, this was a very fun story. Definitely the best Fifth Doctor story so far and the best non-Sixth Doctor story so far easily.

i really enjoyed how everything pieced together. the villain felt a little bit empty tbh but the mystery and some of the conclusion was quite intriguing/unexpected ! love 5/nyssa solo, they are a great pairing.

The Monthly Adventures #010 - "Winter for the Adept" by Andrew Cartmel

Relistening to audios I’ve already experienced was one of the things I was primarily looking forward to in this marathon, mostly because I think I rated things a little wrong the first time around. On my first journey through The Monthly Range, skipping over most standalone adventures and poor, non-essential outings, the scores I dished out for these audio adventures were all incredibly high; the lowest I ever went was a 5/10 and eights were a commonality. I was actually looking forward to the bad stories, because it meant I could experience new lows and rant about them in these reviews, as well as get a complete picture for the Main Range. I’ve already experienced pain with The Genocide Machine and now I get to experience pure, unadulterated joy as I watch (or I guess listen) a story crash and burn before my eyes (or, ears, I suppose). This is Winter for the Adept: a trash fire.

When a teleportation experiment gone wrong strands Nyssa in the blistering cold of a remote, Alpine all-girls school, the Trakenite finds herself wrapped up in a haunting, a schoolgirl’s elopement and an alien race’s experiments with psychic abilities.

(CONTAINS SPOILERS)

When you can only think of one or two positives for a story, you know you’re dealing with a hulking beast of a bad time. The one thing about Winter for the Adept that I could truly admire is that it had some good ideas. That is it. The idea of a haunting being caused by telepathy - a cool idea. The setting? I’ve already expressed my love for snowbound stories in The Land of the Dead, and the frozen and remote academy is a striking visual. There is good here, even if you have to dig for it. The biggest mercy I can give this story is I didn’t hate listening to it; that’s the only reason I didn’t give it a 1/10, I haven’t had this much fun laughing at a car crash since The Legend of the Sea Devils.

But what caused this car to crash exactly? Where does Winter for the Adept go wrong? Everywhere. It goes wrong literally everywhere. The dialogue: atrocious, genuinely some of the worst I’ve ever heard to the point where it makes the Chibnall era look like a Tarantino film. There is not a single line of dialogue that feels natural, and by extension, none of the characters feel natural, not even Nyssa, whose performance is still on shaky ground. The Doctor’s the one character here that feasibly could be a real person (personality-wise, I don’t mean actually) and that’s mainly just because of Davison’s performance. India Fisher shows up six audios early and, whilst I don’t adore her performance as Charley or anything, it’s incredible to see how much better she must’ve gotten in half a year because dear god is she terrible here. Ok, just going to list some negatives, hold on: the sound design is a mess and I kept on thinking on of my earbuds had disconnected, it feels like it’s trying to go for some heightened realism thing with all the “eccentric” personalities but then decides to play the entire thing straight, just making every character embarrassing, the Spillagers are villains we are told are “evil” and “dangerous” but we never actually get to see why or are even told what they’re whole deal is, just that they have something to do with telekinesis and despite only being 90 minutes long, it felt like it had overstayed its welcome halfway through. Despite its many, many, many flaws, I’d struggle to call Winter for the Adept bad, just incredibly baffling. What Andrew Cartmel must’ve been on to think this was a finished product is beyond me. The Doctor isn’t in a majority of Part One; why? Literally no reason. A ghost just shows up in Part Three and then has no bearing on the plot, and if you want to know just how utterly f**ked this entire script is, the climax happens off screen. The climax. Happens. Off. Screen. That has to be the most basic thing Cartmel could’ve gotten wrong here. And that’s not even mentioning it’s paced horribly: we’re knee deep in the plot by the five minute mark and I’ve had no time to adjust to this setting or world, so any atmosphere or immersion I may have had is just gone. Plus, it’s bookended by an exceedingly pointless narration by one of the characters. Odd choice, but I’m pretty sure it’s only there because Andrew Cartmel didn’t know how to start or end this dumpster fire of a “story”.

I really would give Winter for the Adept a 1/10, I really would, but I can’t bring myself to because it’s just so goddamn funny. There is a moment where a table is levitated using telekinesis and is used to attack an alien, and India Fisher’s character’s reaction is “Oh good! A floating table! Just what I’ve always wanted!” in absolute sincerity and that is the hardest I’ve laughed since a PNG jumped onto a ghost ship in The Legend of the Sea Devils. If you want to experience a story beautifully fall to lower and lower levels of quality, whilst breaking all its metaphorical bones, I highly recommend Winter for the Adept; it might sometimes get a little dull, and a little painful, but the bits where you can just sit back and laugh at it are pure gold.

2/10

Pros:

+ There were a few good ideas hidden in the piles of garbage

+ Not actively painful to sit through

Cons:

- The absolute worst dialogue I have ever heard in a DW story

- Every single character is either dull or works to annoy me

- Has no tonal focus and can’t decide if it wants to be a fun runaround, a horror story or a comedy

- Way too fast paced

- The Spillagers are extremely underwhelming villains

- The plot is so poorly designed that it ends off screen

- Terrible sound design that made some scenes actively painful to sit through

- Bookended by completely pointless and annoying narration

- Makes constant baffling decisions, like the sudden introduction of a ghost who has next to no bearing on the narrative or the Doctor being missing for a good twenty minutes

- India Fisher’s character in particular was awfully written as well as acted

This is part of a series of reviews of Doctor Who in chronological timeline order.

Previous Story: The Land of the Dead

Even if the stories can be some generic, what early Big Finish does best is absolutely the atmosphere. This story has a great soundscape and a perfect setting for a horror story like this one. There's more focus on the environment and it really makes even somewhat duller stories feel quite alive. This is something I think Big Finish have a lot less of now.

The actual story itself is good fun, a great little ghost story though it could have done with one less part in my opinion. Peter Davison is doing much better in this, he sounds more like the Doctor here. Sarah Sutton is alright as Nyssa though she lacks the characterisation that I'm used to in later stories (I can't fault this story for that).

The score is really good and I like how it ties into the actual story. The accents definitely vary in quality. The French teacher has a solid French accent but I'm not sure what the accents of Miss Tremayne and the Lieutenant are supposed to be. Still, it's not too distracting.

This might not be 5 and Nyssa's greatest outing but it definitely shows potential for the future of their stories and of the Main Range in general.

Next Story: The Mutant Phase