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TARDIS Guide

Overview

Released

Thursday, May 19, 1994

Written by

Justin Richards

Publisher

Virgin Books

Pages

326

Time Travel

Future

Tropes (Potential Spoilers!)

Shakespearian Influence

Location (Potential Spoilers!)

Menaxus, Heletia, Braxiatel Collection

Synopsis

Hamlet, thou hast thy father much offended.

Ace stared at the Doctor. He nodded. "Yes, Ace. We're in Elsinore. And I don't like it either."

Five years ago, an archaeological expedition came to Menaxus to explore the ruins of an ancient theatre. All but one of the visitors died horribly, and the planet was abandoned, bathed in lethal radiation.

Now the only survivor has returned, determined to uncover the theatre's secrets whatever the cost. Among her archaeological team is a certain Professor Bernice Summerfield.

Soon the deaths begin again, while the front line of an interstellar war moves ever closer. Desperate for help, Bernice tries to summon her companions. But when the TARDIS lands on the planet, the Doctor finds himself participating in a frighteningly real performance of Shakespeare's greatest tragedy. And he begins to realise that the truth about Menaxus may be far stranger than anyone imagines.

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2 reviews

This review contains spoilers!

“I will show you death in an hour glass”

 

what a book, Justin Richard’s first doctor who novel is an absolute banger, this book was my first experience with the character of Irving braxiatel outside of zagreus and he is an absolutely charming fella, his mirroring of the 7th doctor being this manipulative person on the inside but outside shows a more bureaucratic demeanor is brilliant, Benny also shines very highly in this book, her sections are the most fun to read and while ace and 7 are also great, 7 in particular getting a brilliant Monologue about the passing of time , Benny is truly the star here, her initial sections before 7 and ace get involved are so much fun and it shows that Benny can stand on her own as a character without needing another lead. Richard’s prose at times is a bit iffy but his story crafting is absolutely brilliant, the twists and turns this book takes will leave you agape constantly, the foreshadowing from the Quotes and Files at the beggining of each chapter will leave you constantly guessing and I admire deeply the story that Richard’s has created here as well as his writing of braxiatel. As someone who is not a big Shakespeare guy I can still respect the homages to him as well as the classic theatre presented in this book. Definitely a great book and im glad that the NA range has been staying consistently good since the Alternate universe arc!


Voyxger

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This review contains spoilers!

26 - Theatre of War

 

It is not fair that such an amazing book has a cover that makes it impossible for me to read it in public.  But jokes aside, Theatre of War was a breath of fresh air that gave me renewed confidence in the VNAs after a couple underwhelming entries in a row.

 

After the events of Legacy, Benny is spending time doing some archaeology field work, which takes her to the planet Menaxus.  Here we get a wonderful bit of commentary on cultural relativism: the planet is of particular interest to the Heletians, who only consider a race to be “civilized” if its culture values the theatrical arts.  Obviously this is silly, but who are we to judge?  Aliens would likely consider our own cultural norms to be just as arbitrary or bizarre. Before long, Benny learns that the theatre ruins at the dig are a complete fabrication, a trap meant to lure in the Heletians with the promise of a lost play.  Once a projector is brought back to the heart of the empire, the characters in the play jump into reality, helping the Heletians’ enemies topple their foes.  The play in question (The Good Soldiers) itself contains a fictional play, which means that there are upwards of three levels of fiction going on at some points in this book!

 

I always love it when one of these novels experiments with changes to the format, and Theatre of War does not disappoint.  The book is explicitly divided into three Acts, with each chapter starting with a little excerpt from an archaeological text.  Given that most of the book involves Benny poring through historical documents, the reader being able to take in the same information that she does adds a lot to the narrative.  But while it’s new in a lot of ways, the main plot of Theatre of War feels very familiar; without the extra baggage of Braxiatel and New Ace, the Menaxan theatre plot would fit right in with surreal adventures such as Battlefield or The Greatest Show in the Galaxy on-screen.  Richards perfectly tunes the supporting cast to allow both companions to shine; while Benny finds kinship with a group of archaeologists, Ace soon finds herself working with a company of soldiers on the same expedition.  The intricate scheme that threatens all of their lives was orchestrated by the mysterious Irving Braxiatel, who owns a vast private collection of academic information.  Braxiatel, who is a Mycroft Holmes sort of character, has a history with the Doctor, and his morally gray antics were a highlight of this novel.

I don’t think I’ve seen a VNA successfully juggle so many settings and subplots while keeping all of them interesting!  I can’t recommend this one enough, and it’s probably the best showing of Bernice Summerfield so far.  Onward to a Holmesian tale in All-Consuming Fire!


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'Yes.' Braxiatel smiled. ‘We are all slaves to destiny. We are driven like clusters of small leaves by the winds of time, directed through the summer of our lives to an ever-closer autumn.’

— Irving Braxiatel, Theatre of War