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TARDIS Guide

Overview

First aired

Saturday, April 6, 2013

Written by

Neil Cross

Directed by

Farren Blackburn

Runtime

45 minutes

Time Travel

Future

Tropes (Potential Spoilers!)

First TARDIS trip, Original Song

Story Arc (Potential Spoilers!)

The Impossible Girl

Location (Potential Spoilers!)

Akhaten

UK Viewers

7.45 million

Appreciation Index

84

Synopsis

Clara Oswald wants to see something awesome, so the Eleventh Doctor whisks her off to the inhabited rings of the planet Akhaten, where the Festival of Offerings is in full swing. Clara meets the young Queen of Years as the pilgrims and natives ready for the ceremony. But something is stirring in the pyramid, and a sacrifice will be demanded.

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4 reviews

This episode has a cool concept, but the pacing feels really off to me and some parts of the story feel messy, out of place or poorly explained. I actually feel like this episode would benefit from more exposition earlier on in the story to lay some of the groundwork so that it's not so suprising when things occur later in the episode and only then explained (which ends up making a lot of events feel very convenient, like they're happening only for the sake of the plot, when, in reality, they do actually fit into a (mostly - I think there are a few plot holes) consistent set of lore). On the positive side, this episode does bring us an absolutely lovely original song.


This review contains spoilers!

It feels savage to have a strongly negative reaction to such a sincere and emotionally pure episode of Doctor Who. It is such a heartfelt and earnest production, so I feel like a brute saying its one of the worst episodes of Doctor Who, but it is one of the worst episodes of Doctor Who. It is more boring than anything else. Not much happens.

There is tonnes of sitting around and singing with monsters very slowly walking towards the camera; or faraway monsters being menacing. There is a constant looming feeling of "nothing" happening.

In its defense, it is unlike anything else the show has turned out in its first 60 years. Its borderline subversive - story beats do not happen at the points they typically do. This story does not have the shape of a Doctor Who episode, which I suppose is to its credit. Though cliches are cliches for a reason.

Its a sweet idea, currency on Akhaten being "meaningful" objects. While the internal logic of this is a bit dodgy, it is a lovely unique thought. Less unique is the generic ending where the monster is destroyed by feeding too much on a power it cannot contain.

I genuinely believe this is a story that could put a new viewer off of the show. I was very surprised that there are fans out there.


This seems such a divisive episode. I'm assuming the singing has a big part to play in that. Felt like Doctor Who: The Musical at times.

I honestly still don't know whether I like it or not. It was certainly unique, it had a lot of heart and it actually felt very Star Trek to me at times but it did reek of sentimentality. I do know that I loved the reference to The Doctor's monologue at the end though, even if him losing his memories wasn't particularly well explained.


This review contains spoilers!

Sun-day

Prerequisites: Nothing specific, but there are references to The Impossible Girl arc which started at the beginning of Series 7.

Spoilers!
The Rings of Akhaten is a pretty controversial episode; I've seen people put it as one of their favorite Smith episodes, and I've seen people despise it (seriously, there's no way it's the worst Smith-era episode. The 2014 DWM poll was insane for thinking this is worse than stuff like Closing Time). Personally, I like this, although it's got a few notable flaws that keep it from being anything great. For starters, the music used here is truly excellent. This is some of Gold's best vocalised work, and his score in this episode is really great. I also really like the Eleventh Doctor's big speech against The Old God. Not only is it framed very nicely, but Smith himself gives a heck of a performance, and I it's a great moment. However, I think that this moment's effectiveness is brought down greatly by the subsequent ending. Apparently, Moffat gave Cross a script note that suggested that Clara save the day instead of the Doctor. I'm not opposed to that in itself, but I think the execution of this idea is kinda bad. Clara overloading the parasitic god with the power of her 'what could have been' leaf doesn't make a lick of sense; are you telling me that none of the other aliens in that crowd had offered up similar items of sentimental potential in their previous offering? It's ridiculous, and takes the drama out of the moment. Cross should've stuck to his guns and had the Doctor's speech actually work, or perhaps weaken it in some way. Overall, I think this episode has enough going for it that I enjoy it, but the ending is messy.


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3.41 / 5

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AVG. Rating1,460 votes
3.88 / 5

The Time Scales

AVG. Rating174 votes
3.45 / 5

Member Statistics

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Quotes

Add Quote

DOCTOR: I walked away from the last Great Time War. I marked the passing of the Time Lords.

I saw the birth of the universe and I watched as time ran out, moment by moment, until nothing remained.

No time. No space. Just me.

I walked in universes where the laws of physics were devised by the mind of a mad man.

I've watched universes freeze and creations burn. I've seen things you wouldn't believe. I have lost things you will never understand.

And I know things. Secrets that must never be told. Knowledge that must never be spoken. Knowledge that will make parasite gods blaze.

So come on, then. Take it! Take it all, baby! Have it! You have it all!

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Transcript Needs checking

[Autumn 1981]

(A brisk breeze plays havoc with a young man's map as he walks down a street. The Doctor is hiding behind the Beano Summer Special 1981, and the Specials 'Ghost Town' is setting the musical scene. Suddenly a dead leaf flies into the young man's face, and he staggers in surprise into the path of an oncoming car. Then an arm pulls him to safety.)

ELLIE: Oh, my stars. Are you all right?
DAVE: Yeah.

(The music changes to smoochy love theme. Later - the young couple are at a front door in the rain.)

DAVE: So, I've got something for you.
ELLIE: What?


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