Skip to content
TARDIS Guide

Overview

Released

Monday, August 20, 2001

Written by

Mark Wright, Cavan Scott

Runtime

90 minutes

Time Travel

Future

Tropes (Potential Spoilers!)

Disease, Doctor imprisoned, Vampires

Story Arc (Potential Spoilers!)

The Forge Trilogy

Location (Potential Spoilers!)

Bermondsey, Earth, England, London

Synopsis

In the renovated docklands of South East London, on the bank of the River Thames, the doors of the Dusk are open for business. Bets are called, cards are dealt and roulette wheels spun. As fortunes are won and lost, an inhuman killer stalks the local avenues and alleyways — a killer with a taste for human flesh.

Is there more to casino owner Reggie "the Gent" Mead or is he just a common gangster? What secrets are hidden in the bowels of the Dusk? And what connection does the apparently sleazy Bermondsey casino have to a long-buried government initiative known as Project: Twilight?

The Doctor must form uneasy alliances where the line between friend and enemy is blurred, playing games of chance...

But are the stakes too high?

Add Review Edit Review Log a repeat

Edit date completed

Characters

How to listen to Project: Twilight:

Reviews

Add Review Edit Review

11 reviews

Dark and gritty story built and entwined into an eerie atmosphere, with underwhelming and forgettable villains, in a plot not quite cohesive enough.


joeymapes21

View profile


Project: Twilight is a relatively gritty and dark story. I enjoyed it quite a bit. There are better pieces of fiction out there, but I like the character work here. I felt that the acting was good.


Bongo50

View profile


This review contains spoilers!

this story is pretty damn brutal, with TWO whole people exploding, but its a damn good one. very good start to the saga of the forge


megaminxwin

View profile


This review contains spoilers!

Just so incredibly bad that each time I am reminded of its existence I have to be surprised it somehow has a generally favourable reputation. The absolute worst piece of fiction I have ever encountered in the Whoniverse, and I’ll be incredibly surprised and frankly delighted if another story manages to surpass it in its ridiculous idiotic edgyness, purely because such an achievement must be so out of this realm and beyond the acceptabilities of any script editor that was still alive in the year of our lord and saviour eighteen ninety one before the birth of Christ, that it must only be possibly made that way on purpose, because good god, is this, like, really bad.

It’s not only edgy in a way your theoretical fifteen year old nephew who has been bragging to his classmates about having watched a cheap slasher movie without his parents knowing might write a cooler version of his childhood favourite characters (they are unfazed by DEATH and they say DAMN and s**t), but it wonderfully also reflects the generally expected writing capabilities of this theoretical nephew of yours, if your nephew had actually been their writing teacher and this script the homework that even he had to give a bad grade. Because man, it’s such a dumb story. It’s so stupid. Several scenes make me question if this wasn’t meant as a parody and everyone else just wildly misunderstood it.

Like what do you mean “it’s dark”? It’s dark in the sense that a guy explodes and we get the visual image of Colin Baker and Maggie Stables covered in blood? That’s not dark. ‘Dark’ is handling usually more taboo topics. ‘Dark’ is talking about horrors of war, touching on mental health issues or a story about inevitable evils that pop up from the societies that we create. ‘Dark’ is not exploding people. ‘Dark’ is not “Doctor, I am very strong, and I am going to kill you. I drink blood, by the way.” ‘Dark’ is not killing and hurting characters in your story for no rhyme or reason. That’s stupid. Then you’ve simply written a stupid story. Not a dark story. You’ve written meaningless nonsense. Things happening just because. To shock, to maybe evoke a feeling or two, and to leave the listener completely empty afterwards.

There’s so little cohesion to this thing. A plot so meandering that I couldn’t tell you what happens, because basically nothing happens, it’s impressive that it’s short as well. It’s just here to shove the characters into places where they can do their edgy scenes. I’ve finished listening! Hooray! Now, what was all that about? You tell me! Not only is the plot meaningless, I find the scenes actively unpleasant! Like what can I even do at that point? Me when I project the twilight, and then Nimrod and the Doctor kissed, that would have been a better story.

One star for actually being pretty well paced.


Owen

View profile


This review contains spoilers!

Project: Twilight é o primeiro e mais aclamado áudio da trilogia do The Forge. Na região sudeste de Londres o Doctor e a Evelyn se deparam com um projeto que envolve vampiros e um vírus que transforma as pessoas em vampiros. Mais uma vez eu não consigo enxergar algo tão grandioso em uma história dita por muitos como “10/10” – Sua problemática é bem rasa proporcionando poucos acontecimentos notáveis, tudo se resume em basicamente o Doctor sendo enganado achando que estava ajudando a reverter o vírus, mas na verdade o Time Lord estava ajudando a potencializa-lo, depois toda a situação é revertida no final com uma explosão e os vampiros são detidos e...é isso...sim, é só isso. Muitos exaltam o áudio pela sua temática seu tom dark e obscuro, pessoas morrendo YEAH...Sinceramente eu achei seus personagens e seus efeitos sonoros bem fraquinhos, os vampiros são um elemento um pouco estranho nessa história, além deles parecerem que estão ali só para fazer uma pose do tipo...”Olha, isso é uma história vampiro hein galera”...Eles simplesmente tem um vírus poderoso em mão porque eles tem e porque sim kkkk De uma hora para outra eles se revelam telepáticos porque sim kkkkk sei lá, é tudo meio entregue por cima, até mesmo o lance do The Forge que é explicado em um pequeno e rápido bloco da história e depois só volta a ser citado pouquíssimas vezes no áudio. Falando de um dos personagens, o Nimrod: ele é apresentado como um cara misterioso e ambíguo não-vilão da história, mas na verdade parece mais fazer uma pose de fodão tentando impor uma certa credibilidade e um certo medo...calma, não vou julga-lo 100% pois tudo deixa a entender que Nimrod voltará nas próximas partes, então vamos esperar para tirar uma conclusão geral do personagem. Em resumo, não é só a temática que resume o sucesso de uma história, é necessários outros fatores e elementos importantes na composição de uma história, e "Project: Twilight" falha entregando um conteúdo bem raso.

Click here to translate


KnuppMello

View profile


Open in new window

Statistics

AVG. Rating246 members
3.68 / 5

GoodReads

AVG. Rating444 votes
3.59 / 5

The Time Scales

AVG. Rating281 votes
3.85 / 5

Member Statistics

Listened

408

Favourited

32

Reviewed

11

Saved

6

Skipped

1

Quotes

Add Quote

Submit a Quote