Reading Doctor Who and the State of Decay is honestly a bit of a trip but it really shouldn’t have been.  State of Decay on television while in the back half of the hardline science fiction Season 18 overseen by John Nathan-Turner and Christopher H. Bidmead, Terrance Dicks had actually had the story in his back pocket for a number of years.  Originally it was to be the opening serial to Season 15, but the BBC was adapting Dracula and did not want a second vampire story to conflict, so it was replaced with Horror of Fang Rock.  When reading Doctor Who and the State of Decay it becomes apparent that Terrance Dicks is adapting almost a combination of versions of his story because this is a novelization that feels tonally unlike everything that Season 18 was.  This is honestly for the best, it means that Doctor Who and the State of Decay feels like a classic adventure.  Dicks clearly was a fan of Dracula because almost all of the vampire tropes that are associated with Dracula adaptations, especially the Universal and Hammer adaptations, are here and played up.  They were there during the original serial but largely pushed to the background with the serious tone and rather bleak direction.

This is a novelization that really wants everything to be fun: it’s a fantasy adventure where the Doctor and Romana are trading banter so delightfully throughout.  Dicks is sure to maintain that relationship between the Doctor and Romana as two very close friends where the Doctor is clearly the inferior.  It’s Romana who puts a lot of things together and has to roll her eyes when the Doctor eventually catches up to where she was several paragraphs ago.  Adding Adric to that dynamic makes this one of his stronger stories in terms of characterization, especially in the novelization where Dicks clearly frames it that when he betrays the Doctor and Romana, the reader is supposed to hate him.  Adric is treated very much like the young teenager that he is, and it works so well in prose because Dicks adds just enough to make you understand where Adric was coming from and not put Matthew Waterhouse’s performance at the feet of directors who often struggled in giving him proper direction.  With the lightness in tone it makes the sequences when the Three Who Rule go full vampire feel like a Hammer film version of gothic horror, you can imagine in your head the color of Hammer blood which is particularly fun.  It means when Aukon is summoning his servants it feels far more grand than it did on television and everything just slots in quite nicely.

Overall, Doctor Who and the State of Decay is a novelization that works because it doesn’t try to emulate the tone of the television story, letting what Terrance Dicks clearly intended for the serial to really shine through.  It’s a quick little novelization with a lot of fun behind it.  8/10.