Thworping through time and space, one adventure at a time?

“Divorced, Beheaded, Regenerated: Missy vs. The Monk in Tudor England’

Divorced, Beheaded, Regenerated is a lighthearted historical romp where the mischievous Missy crosses paths with the equally chaotic Meddling Monk, portrayed with gleeful energy by Rufus Hound. Set in Tudor England, the Monk has taken up the guise of King Henry VIII, plotting and scheming as usual—until Missy arrives to upend his plans in her delightfully unpredictable style.

The narrative thrives on the rivalry between the two Time Lords, with much of the runtime devoted to their constant sparring and attempts to outwit one another. While this back-and-forth banter is entertaining, it can feel repetitive and overstays its welcome at times. The story doesn’t offer much in terms of stakes or major plot developments, often spinning its wheels with little of real consequence.

A highlight is the brief exploration of the Monk’s backstory, shedding light on his escape from the Time War and his activities since. This adds some depth to the character but remains a minor subplot amidst the comedic rivalry.

The inclusion of yet another alien antagonist with a monstrous voice feels unnecessary and detracts from the charm of the historical setting. A purely historical adventure centered on the human supporting cast and the dynamic between Missy and the Monk could have been more engaging and streamlined.

📝Verdict: 6/10

Divorced, Beheaded, Regenerated is carried by the charisma of its lead performances, particularly the lively interplay between Michelle Gomez and Rufus Hound. However, its lack of narrative weight and reliance on familiar tropes leave it as a fun but ultimately inconsequentialentry.

This one was a ton of fun. Michelle Gomez and Rufus Hound make for a hilarious pair, as they exchange witty banter. It all leads to a satisfying ending, with the real Catherine Parr getting one over Missy & The Monk. Comedy gold.

fun with a fantastic sense of humour. bit weak and predictable on the story/drama side — nothing of consequence really happens — which makes it all feel as missy would say a wee bit pantomime. rufus hound is hamming it up as the monk to the extent of making him a completely comic character and there’s nothing to latch on to emotionally. to listen on public transport after a stressful day, basically