Note: This is my review of Blood of the Daleks as a whole.

Having started an 8DA listenthrough with a friend, I have finally dusted of this release again and relistened to it. In previous listenthroughs I thought this to be one of the more boring 8DAs, and by and large, I still agree that it is. However, while I often thought that the plot was the problem, this time around my opinion has changed.

The plot is very functional. A bit straightforward but it has all the right beats, a plot twist, stakes and an actually decent-to-good appearance by the Daleks (why they keep spoiling the appearances of the Daleks in the title I'll never know). However, for a companion introduction story the story is particularly colorless and bleak. The environments described don't help this at all, with its nuclear winter and the desperate and angry people, making every scene of the plot feel a bit same-y and blend into eachother.

However, I've come to the conclusion that the problem here is more the way the plot is told. I've got an issue with two major things:

• Scene changes are barely highlighted, in sound design or in dialogue. The backdrop of every scene is only subtly given by realistic sound design, but this makes it hard to imagine anything but the most general area of where the story takes place.
• The music is not at all dynamic. In fact, I think the main reason there were parts of the play I completely drifted off is because the music does not seem to flow with what is actually occurring at the moment at all.

With this listenthrough, I made an effort to really follow the story behind the droll presentation, and thought it fine. It certainly gives both 8 and Lucie time to shine on their own and together, which should be the first goal of a companion introduction story. 8 and Lucie carry this release completely. Their dynamic is fun, the tension between the characters is refreshing and Paul McGann and Sheridan Smith seem to have the right chemistry for this duo. The arc of the Head Hunter and the Time Lord witness protection program are also set up well.

Sadly, the play is just such a bore to listen to (which is also why I don't review the separate parts). In a series so colorful as this one (especially with Human Resources) I wonder how they could have such a grey opener.

The 8th Doctor Adventures #1.1 - “Blood of the Daleks: Part One” by Steve Lyons

Besides the Main Range, I think the 8DAs would have to be the most popular audio series Big Finish has put out, containing fan favourite after fan favourite in both the story and character camps. I’ve been meaning to get into them for a long time now, and by meaning to get into them I mean I’ve started it a couple times in the past and haven’t made it past the halfway point but that’s neither here nor there and I can’t remember the stories I did listen to anyway. So, ready now to sit down and finally give these a listen, how do I think the 8DAs’ pilot fares?

The planet of Red Rocket Rising is dying, smothered in an asteroid’s toxic dust cloud. Lumped with an unwanted interloper, the Doctor finds himself stuck with the last remnants of the planet’s population as a benevolent alien saviour comes to rescue them: an alien saviour that calls itself the Daleks.

(CONTAINS SPOILERS)

I’ve heard pretty much nothing but good things about Steve Lyons. Well deserving of being in the top echelon of Who writers shared by a select few, Lyons consistently creates popular works throughout both the novels and the audios so, he seems a good choice to kick off Big Finish new, fancy spin off series. And for the most part he is; I think the quickest way to assess the quality of a writer is by judging how much character their prose and dialogue exudes. Is it fast, witty, poetic, whip smart, believable, hilarious, engaging? If it is, you’re probably on the right track and Lyons comes right out of the gate with an intelligent and fast paced style that lands somewhere between realistic and outwardly comedic. The dialogue is witty but not overwritten and it gives the characters some nice personality out the gate, especially with Eight, McGann gives a brilliant performance and sells you on the upcoming series right away.

As for our new companion, we have the much beloved Lucie Miller entering the fray. I’m in two minds about her in this episode because, whilst Sheridan Smith gives a stunning first performance and she seems like a distinctly fun character, her actual introduction is rocky. This story overall has pacing issues but it’s worst with Lucie, who immediately is comfortable with the whole time travel thing, making it feel like we’ve skipped a bit of her characterisation. Yes, there are story reasons as to why she’s so blasé about it all but it still leaves the problem of her intro being remarkably abrupt.

As for the story itself, I have my issues but one thing that did stand out was the setting: the ruined colony world of Red Rocket Rising, smothered by the fallout of a meteor crash and left in ruin and endless winter. It makes for a wonderful soundscape and the imagery of wrecked buildings and acid rain showers create a brilliant dystopian world.

However, the people populating our world are just alright, with a surprise Anita Dobson mixed in there. The stand out would probably be paranoid conspiracy theorist Tom Cardwell, who is a pretty easily endearing side character (even if he won’t stop repeating his own name).

But, as a pilot, does Blood of the Daleks succeed at hooking me as a listener? Eh. It is only one part so I’m assuming it’ll pick up but this episode suffers from severe pilot syndrome - when a show is more focused on setting up a series than actually delivering something worthwhile. The story feels pretty generic and mostly like it's just waiting for Part Two to come around, with only a couple fun moments throughout.

It also, as I said before, has issues with pacing that ruin the plot’s cohesiveness. We’re dropped into everything in media res and we don’t really get a breather past then, constantly running backwards and forwards in search of a cliff hanger. Plus, I find the plot to be somewhat bland by itself. It seems it’s pulling the “Daleks have turned good (but not really because obviously)” stint that The Power of the Daleks did successfully and everybody else tried to imitate, which marks this script down for me somewhat. There is nothing worse for me than yet another Dalek story that does nothing new with the infamous pepper pots.

Blood of the Daleks: Part One is promising, but it's nothing special; only a part one after all. Our new characters are fun and the style is engaging but I’m yet to be sold on the story going forwards. I’m optimistic but it’s not like this really tells me anything.

7/10

Pros:

+ Nails Eight’s character and McGann lends a great performance

+ Sheridan Smith has a brilliant debut performance

+ The setting of Red Rocket Rising was decently atmospheric

+ I found Tom to be genuinely endearing

Cons:

- Pacing issues start the story on rocky footing

- Relatively focussed on set up

- The Daleks seem relatively bland

This one is just fine. As soon as you get an idea of what the Daleks are doing, it's kind of like a waiting game until they finally get on with it. Which makes sense, this is Part 1 of the story. But it's not very interesting to me until later into Part 1.

Guest cast give good performances, as does McGann.

I'm not immediately compelled by Lucie, but interested to see how her journey unfolds with the Doctor.

There's a good cliffhanger here, and the story is good, it's just somewhat slow. I'm expecting more out of Part 2.

“Bleedin’ heck!” as Lucie Miller might say. Her and the Eighth Doctor hit it off right away. It’s one of those perfect instantaneous clashes of personality which is so rare. There is a propulsion and drive to the production. You know that you’re going to want a lot more of this!