In a way, this story really has the feel of a stage play. Mostly, it's a two-person script, with a smaller third role, which is not an uncommon construction. In that vein, the story works very well throughout the bulk of the audio.

It becomes clear fairly early that things are happening out of sequence, and Jamie is trying to work out the sequence. It's a bit vague how he knows he needs to work out a sequence, exactly, but that does not detract from the fun of trying to work things out.

For me, the story lets us down at the end. When Jamie works out the answer, I didn't find that particularly satisfying. And at the very end, the characters head off to...

It really, really feels like they're about to go into the next part of the story. Except there is no next part. I had this weird feeling like I was missing the second disc of the story. That came as a particular letdown as I had really been enjoying the story and I wanted to get what happens next.

So, a good story that ends rather suddenl--

A very basic Beauty and the Beast variant. I was all set to complain that there's no whiff of any Doctor Who connection, but then the Doctor himself actually shows up towards the end, mutters some technobabble and solves the problem. Not much to it, but this one does fit the remit (Doctor Who + fairy tale) better than most of the stories in the collection.

Well, I guess with "seven" as the common, um, denominator, Justin Richards could not resist welding together fairy tale dwarves with a Doctor Who stage play. The result is nonsensical. Some despot king gets someone to make a machine that will destroy everything. Why would he want that? Never explained. Why would the tradesman build such a machine? How would he know how? Why make it so that it only works with seven keys?

There's no sense behind any of that, but at least the king is poisoned and killed so later, an evil queen can decide she wants the keys so she can...do what? No idea, But Snow White has to stop her. Since the machine requires all seven keys to function, she finds one and destroys it. Oh, no, she doesn't do that. Instead she finds all seven keys, brings them to the room with the Doomsday Machine, and then attempts to destroy them. Really?

Fortunately when she breaks one key, it explodes and blows up...somehow not in her own face, but in the face of the evil queen who pushes her away just as she breaks the key, so that the queen is caught up in the explosion and no one else is harmed. That queen had some great timing.

If it sounds like I thought this was a terrible effort, well, yes. But at least it presents the life lesson that if your actions are dumb enough, everything will work out alright in the end.

But at least the title is fun.

Finally! One of the Time Lord Fairy Tales is all about the Time Lords! Well, okay, there are no Time Lords whatsoever in it, but it takes place on Gallifrey! Well, okay, in takes place in some forest on Gallifrey that is nowhere near any populated area, and could be any forest on any planet, but at least a couple of locations get name-dropped.

Based on the fairy tale Babes in the Wood, the skin is the same, but the babes don't die when they're covered with leaves. Honestly, I don't know what the reader is supposed to take from this story. Except maybe further proof that twins and Doctor Who do not a winning combination make.

One of the few Time Lord Fairy Tales to actually include the Doctor, this one actually has him center stage, and it is all the better for it. The Second Doctor as the Pied Piper, Cybermats in the role of the rats, heck the space station is even named Hamlyn. Just as unoriginal as the rest of the collection, this one actually feels like something they might have done in the show.

Some of the Time Lord Fairy Tales take a old story and do something different with it. Some don't, and all they really do is change the names and substitute a Doctor Who monster for the original. This is one of those.

Jack becomes Jak, the beanstalk is now a wormhole, and the Giant is replaced by Nimon. One major difference is that Jak gets to keep the cow! Rather than selling it for some magic beans, he stops on his way to market to help a dying man and gets money in exchange for the promise to destroy some unknown device. He can't figure out how to destroy it, so the wormhole does indeed open, but the story pretty much plays out the same otherwise.

Could be a fine bedtime story for a tot, I suppose.

I had to check where the material for this story was stolen, as it really did not jump out at me. The source is the Arabian Nights tale, Ali Baba and the Forty Thieves. I can see that in retrospect, as the Slitheen ship contains barrels of jewels for no reason at all to do with the story except to tie in to the source. Andiba is not some greedy Ali Baba stealing any of these jewels.

Instead we get a story of some Slitheen wanting to mine a mineral, which unfortunately is located right under a town. A town that COMPLETELY COINCIDENTALLY has a factory that produces vinegar. Lots and lots of vinegar. Puh-lease. And if anyone can explain to me how it is that the Slitheen land on this planet, talk among themselves, and a local eavesdropper can understand what they're saying with no TARDIS translation matrix around, that would be great too.

Okay, well, aside from the unbelievably convenient setup of having the Slitheen go to a place that produces great quantities of the thing that can destroy them, the story is fine. Well, other than the last Slitheen being fooled into drinking vinegar by the most obvious ruse imaginable. At least the writing is decent, and Six One Three does sound vaguely like Sesame. And apparently, the going rate is 1 Slitheen = 10 Thieves, so I guess that's the lesson to be learned from this fairy tale.

Yes, it's Hansel and Gretel. Nothing is changed. Well, the names of Hansel and Gretel are changed. Oh, and the witch is now a Krillitane. But otherwise, it's the same story. Kids in the woods find a gingerbread house, the owner captures them, they kill the owner and escape. The Krillitane is a fine choice to substitute for the witch, but really, I don't know what the point is. Maybe a fairy tale to read to kids who like Doctor Who but don't already know the Hansel and Gretel story?

Unoriginal to say the least. Take Little Red Riding Hood, change Red to Rose, done. It is, I admit, amusing to throw in the Bad Wolf reference, and a Zygon looking like Grandmother is much more convincing that a kid not being able to tell the difference between her gran and an actual wolf. But still, what was the Zygon's reason for impersonating Granny? How do we explain Rose meeting the Doctor before Rose meets the Doctor? Seems lacking.

Fairy tale? What fairy tale? About the only thing this story has in common with The Emperor's New Clothes is the title. This is the tale of rebels on a planet captured by the Daleks trying to sabotage their plans and suffering heavy casualties as they fail to do so. The Emperor Dalek comes to the planet and they see an opportunity to attack him. They manage to damage him and he needs a new casing (new clothes). There's stuff about replacing his force field (invisible new clothes) that's really contrived. The planet happens to have facilities for force fields, and the rebels are able to get in there without the Daleks noticing, and they know how to sabotage the force field production and the Daleks won't notice that the force field doesn't function? Then the rebels can plant explosives along a parade route and lie in ambush and again the Daleks won't notice any of this? The plot is full of contrivances that are hard to swallow. A shame, as the bones of the story could have been built into something good. This isn't that. And it isn't a fairy tale, either.