this one’s so weird and uncomfortable and just perfect for torchwood. it’s got that incredible haunting torchwood atmosphere down to a T, and i really miss Jack Harkness

Uncanny Valley, in an unanticipated way, takes further jabs at conspiracy culture like Llewellyn's prior instalment to the range, this time the typically inductive nature that conspiracy theorists practice to make their hypotheses more convincing, and to induce a binding sense of factionalism; it is easier to propose that the world comprises of 'us versus them' if the 'them' is described as broadly as possible. When Wilson gives his tell-all accounts of the Committee in The Conspiracy - crucially under the pretence that he is trying to convince his audience of something he himself does not believe - they are surmised in the vein of the archetypical cabal of hyper-rich socialites, heavily connected to military-industrial complexes. The follow-up presented here may sacrifice some class consciousness in posing Cree's Redmond, a billionaire software engineer for every warmonger you can conceive, as 'one of the good ones' being manipulated by the Committee, his earnest insecurities about body image and his autonomy emphasising such. For this, as well as the complete sincerity with which it plays the notion of 'a man is cuckolded by a robot duplicate of himself, who can see through the eyes of on a whim,' absent of any comedic intonation, I would not consider Uncanny Valley an all too self-aware story, but it nevertheless maintains a dialectic pretence in how it broaches its continued critique of conspiracy culture at large in portraying Redmond with any foothold on his humanity.

Torchwood Monthly Range #5 - "Uncanny Valley" by David Llewelyn

The Torchwood Monthly Range has been incredibly hit or miss for me so far; switching between 7 and 9 out of 10s, the stories have ranged from completely solid media to unimpressive episodes that really left no impression on me. Uncanny Valley is a continuation of this trend; following directly on from The Conspiracy and focusing on the Committee plotline rather than relegating it to an RTD style repeated icon, Uncanny Valley is another story to leave next to no impression on me. Characters I don't care for, a plot that doesn't impress me and an audio that isn't bad but just isn't interesting.

Reclusive billionaire has emerged from his long seclusion following a devastating car crash, and he's made a miraculous recovery. Too miraculous a recovery. Because the real Neil Redmond is wheelchair bound in his Welsh castle home, and about to receive a visit from one Captain Jack Harkness.

(CONTAINS SPOILERS)

This review will probably be very short because I have next to nothing to say about Uncanny Valley. It is fine, it is a plot that works with characters that exist. Jack is great and Barrowman's performance is good, Cree sells Neil and NJ, they feel like their own characters despite having the same voice actor. The final scene is pretty good and Neil's death is really unexpected. The final cliffhanger is good and makes me want to get the rest of the Committee arc but this all leaves next to no impression on me. Nothing here blew me away, there weren't any ideas I particularly liked, I felt completely apathetic just as I did during The Conspiracy and Forgotten Lives. The story doesn't feel new, the characters are a mess and the story makes some let's say interesting choices.

This story eventually boils down to a series of people having sex with a robot, including the person it looks exactly like, which was odd. I didn't buy into the relationship between Neil and NJ for a second, it just felt weird and wholly unbelievable. The script is also just really flawed, the first half has a really dragging pace as we flick through flashbacks of Neil and NJ meeting and the second half is just a mess; Why does Jack sleep with NJ? To convince Neil to shut him off? Jack, you have a gun, there is no reason for you to do this. The narration was also a weird choice, it doesn't really fit in and just ends up being either pointless or exposition. Also, did whoever made the cover listen to the story? It pictures robot duplicates of Jack in a warehouse, two things that never show up in the actual audio.

Uncanny Valley did nothing to impress me. It was fine, it was standard, I wasn't bored throughout I was just indifferent to everything that happened. I have heard great things about The Torchwood Monthly Range and Fall to Earth & One Rule have me convinced that there is good here but I'm just so bored by so much of it. It's absolutely fine but I doubt this will stick with me.

6/10

Pros:

+ Great performances all round, especially from Cree

+ The final few scenes are a good injection of action into an otherwise pretty slow story

+ Gave some much needed development to the Committee subplot

Cons:

- Painfully standard, with no especially notable ideas or qualities

- Just didn't buy into the relationships of the characters, it all felt a little unbelievable.

- Jack sleeping with NJ was completely pointless and was just weird

- The first half is poorly paced

- The narration is massively out of place

Top 5 Best Torchwood Monthly Range Stories:
5. #1 - The Conspiracy by David Llewellyn
4. #5 - Uncanny Valley by David Llewellyn
3. #3 - Forgotten Lives by Emma Reeves
2. #2 - Fall to Earth by James Goss
1. #4 - One Rule by Joseph Lidster

Top 5 Worst Torchwood Monthly Range Stories:
5. #4 - One Rule by Joseph Lidster
4. #2 - Fall to Earth by James Goss
3. #3 - Forgotten Lives by Emma Reeves
2. #5 - Uncanny Valley by David Llewellyn
1. #1 - The Conspiracy by David Llewellyn