Peter Capaldi’s Doctor makes a dramatic entrance in this first DWM comic – a tale where he is very much styled in the Series 8 mould. The Doctor leans into his pricklier, meaner persona here, though still undeniably heroic. Mr. Zoom proves a compelling antagonist, and the resolution – hinging on a narcissist’s vanity – offers a refreshing twist on the “evil emotion-feeding creature” trope (even if the concept of psychic parasites devouring negativity feels overfamiliar in Who.).

The artwork shines, with flowing, sun-drenched panels and striking designs for the shadowy “negative emotion” entities. The premise of a spaceship crewed entirely by women – a result of a narcissistic commander’s desire to be “the first man” to achieve a milestone – is particularly inspired, fostering a narrative populated by intelligent, dynamic female characters. It’s a shame such representation still feels noteworthy, but the story leverages it thoughtfully.

Pacing stumbles slightly in Part 4, where abrupt shifts (Clara’s sudden fire-escape leap) suggest compressed storytelling. The tone leans darker and more verbose compared to the buoyant Titan Comics of the time – a seriousness not entirely offset by its plot complexity. While Capaldi’s wit surfaces occasionally, the story lacks the playfulness that defines his best outings (in my opinion). A solid, visually arresting debut for Twelve in print, but one that prioritises grit over glee.