This is part of a series of reviews of Doctor Who in chronological timeline order.

Previous Story: Revenge of the Cybermen

This story is very authentic to the era it's set in... to it's detriment. It's literally just an average Fourth Doctor story that feels like it was plucked straight out of the mind of a 70s writer. It's technically a sequel to Ark in Space but it doesn't really have any of what made that story good. I genuinely would have rather had a fanservice "look! it's this guy! do you remember him?" style story over this.

I think the recasts are rather good, both Christopher Naylor and Sadie Miller embody the characters they're playing really well. Tom Baker is his usual self here, not much new on that front. This story does feel like a way to force open a gap between Revenge and Terror for more adventures with this TARDIS team. I'm not entirely against that but if they'll be anything like this I can't say I'm too excited.

Overall, it's quite generic and safe. Not really much more to say than that.

Next Story: Terror of the Zygons

Hearing the fourth Doctor, Sarah, and Harry all together again was a treat, Sadie Miller and Christopher Naylor continue to be fantastic as Sarah and Harry. Though the setting was an interesting one, the story itself was fairly average, not at all bad, but nothing particularly special, still a fun listen though

This is a fun, but otherwise alright fairly standard story. Which would be fine if it wasn't meant to be an anniversary celebration 😭😭

That was A LOT of fun.

As one Russian expression goes, this audio "doesn't steal stars from the sky", but manages to deliver a really fun and enjoyable story that feels extremely authentic to the early Fourth Doctor era.
The story might be generic, but it was a lot of fun thanks to great dialogues, vocal performances and an interesting expansion of the lore introduced in one of those first Fourth Doctor episodes.

Since this was recorded in 2024, Tom does sound older and even a bit ill, but I stopped focusing on it too much about half way through the story.
Sadie Miller is magnificent and virtually indistinguishable from her late great mother (just for you to understand how good she is - when I first heard her in another audio two years ago, I didn't know that BF recast Sarah Jane and thought that I heard Elisabeth Sladen).
Christopher Naylor also does an incredible job - I also confused him with Ian Marter once.

Other cast members also have a lot to deliver, especially the villain. His character does seem like he came right from that era.

Overall a great anniversary release that celebrates without tons of cameos and by just telling an authentic story.
Great fun for any early 4/Sarah Jane/Harry enjoyers.
A solid 8/10. I had a great time with it.

P.S. Also I recently finished Tom's run on TV, so it was really nice to "get back to the roots" sort of speak

Final Doctor Who of 2024! This is nothing special as a story, but I do love the conceit of making this a realistic final four episodes for Season 12. I liked the performances and the guest cast, but the overall plot was standard. Still fun to get to the Season 12 gang back together as best we can fifty years later.

I’m ready for another day of 4th doing mediocre

Thworping through time and space, one adventure at a time!

“The Curse of Time: A Mixed Tribute to the Fourth Doctor’s Legacy”

Big Finish’s The Curse of Time attempts to celebrate 50 years of Tom Baker’s Fourth Doctor by slotting an additional adventure seamlessly into Season 12. While it achieves some success in recreating the era's aesthetic and tone, the story itself ultimately feels underwhelming for such a landmark occasion.

The story starts intriguingly enough, with the TARDIS materialising in what appears to be a mediaeval village, complete with a troupe of travelling entertainers and a sinister brotherhood led by the commanding Brother Voss (Andrew French). The blend of mediaeval and sci-fi elements, reminiscent of The Androids of Tara and The Masque of Mandragora, gives the setting a nostalgic charm. The revelation that this is a post-solar flare Earth, regressed to a feudal-like society, is an excellent tie-in to Season 12’s The Ark in Space and Revenge of the Cybermen.

However, while the setting and premise are promising, the story struggles to capitalise on them. The first two episodes spend too much time separating the TARDIS crew and having them chase after one another, creating a sense of aimlessness despite the vivid world-building.

The cast does an admirable job bringing the characters to life. Tom Baker is as charming and commanding as ever, effortlessly embodying the Fourth Doctor’s eccentricity and wisdom. Sadie Millor and Christopher Naylor offer strong portrayals of Sarah Jane and Harry, though Harry’s bumbling nature feels slightly overplayed at times.

Among the supporting cast, Andrew French’s Brother Voss stands out with a formidable and menacing presence. Rosemary Ashe’s Holy Mother Cassava is a wonderfully creepy mix of wisdom and malevolence, evoking The Old Mother in An Unearthly Child or Maren from The Brain of Morbius. Angus Dunican as Faustus Black and Terence Wilton as Zaphiel Ixon both deliver solid performances, though Ixon’s villainy leans heavily on tropes familiar to the Baker era.

The story’s pacing is one of its biggest weaknesses. While the early episodes establish an intriguing mystery, they fail to progress meaningfully, with much of the runtime devoted to repetitive scenes of separation and pursuit. The villain’s reveal at the end of Part 3 injects some much-needed momentum, but the climax in the final episode feels rushed and anticlimactic.

Ixon’s possession of Harry provides a brief moment of drama, but it’s underutilised, leaving the resolution flat and uninspired. The narrative lacks the sense of urgency and creativity needed to elevate it to a truly celebratory adventure.

📝Verdict: 6.7/10

As a tribute to the Fourth Doctor’s legacy, The Curse of Time hits some nostalgic notes but doesn’t quite live up to its potential. While the setting and characters evoke the spirit of Season 12, the story itself feels generic and uninspired, failing to deliver the excitement or innovation expected from a milestone release.

For longtime fans of the Fourth Doctor, there’s some enjoyment to be found in the performances and the era-appropriate atmosphere. However, as a standalone story and a celebration of Tom Baker’s iconic Doctor, it leaves much to be desired.

This is very disappointing for a "50th Anniversary Special" for the Fourth Doctor. Nothing about it is special in anyway. The main characters are, as usual, the only good thing, but that's because of the actors, because the writing is very generic. There is no actual character development, at all. Jonny Morris, I'm sorry, but this is not good.