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This review contains spoilers!

I absolutely adored this story.

The art in this comic is spectacular, the style feels realistic enough that The Doctor doesn't look out of place, this is very clearly Capaldi, it's not super stylised like some other runs (not that that's a bad thing to be clear, but it's nice to have this). It's also not too realistic to have the element of uncanny valley though.

The villains too make great use of this art-style. When you get aliens that are too.. 'alien'... for lack of a better way of putting it in a comic with this more realistic art style, they can feel quite out of place. The monsters here however, being humans taken over by dark matter, are just spectacular. The realism of the style adds to the horror when you see the inky black dripping from their eyes.

And then there's the flashback sequences. I love when stories make use of their medium, and having the flashbacks be in this beautiful sepia sketchbook style is just so lovely.

Julie D'Aubigny makes for a delightful companion in this piece. A truly incredible historical figure that I'm surprised hasn't been used in the main show. She's such an incredibly interesting person and I love how she's portrayed here. Seeing her history in a flashback, and seeing both her vocal and dueling talents on display is great. On the one hand I could see it argued that the moment with her singing fending off creatures thanks to the sonic feels a bit of an asspull, but I think it really works for the doctor, 'the pen is mightier than the sword' vibes.

If I did have any criticisms, it'd be that gargoyles are a bit out of place, and the ending is a little Deus Ex Machina, but those definitely don't take away from this story for me at all

 


JayPea

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This review contains spoilers!

Thworping through time and space, one adventure at a time!

“TERROR OF THE CABINET NOIR – SWASHBUCKLING, SORCERY, AND SINISTER SECRETS”

Doctor Who rarely delves into proper historicals these days, but Terror of the Cabinet Noir embraces its setting with flair, transporting us to late 17th-century France under the reign of the Sun King. What initially seems like a swashbuckling Three Musketeers pastiche quickly takes a darker turn when Cardinal Richelieu—long dead by this point—is revealed to be possessed by a sinister alien presence, feeding on the confessions of sinners.

The result is an intoxicating mix of black magic, alien intrigue, and secret societies, all wrapped up in the intrigue of Paris. From eerie stone gargoyle enforcers to an eclipse that threatens to plunge the city into eternal darkness, the story keeps the tension high while maintaining a fast-paced, action-packed narrative.

INTRODUCING JULIE D’AUBIGNY – A HISTORICAL COMPANION WITH BITE

One of the biggest highlights is the introduction of Julie d’Aubigny, a historical figure who proves to be an instantly engaging companion. A pardoned criminal, master swordswoman, and opera singer with a fiery personality, she brings an energy rarely seen in Doctor Who companions. She’s brash, passionate, and unafraid to challenge the Doctor, which makes for a brilliant dynamic. Unlike many companions who rely on the Doctor’s intelligence to escape danger, Julie takes matters into her own hands—whether that means duelling her foes or using her voice as a weapon.

The Doctor himself is also in fine form here, engaging in a memorable fencing duel and even posing as an angel to manipulate the devout. The story leans into his quick wit and resourcefulness while allowing Julie to take centre stage in the action.

HIGH-STAKES ACTION AND A SINISTER THREAT

The story builds to an urgent and exhilarating climax, with the Doctor racing against time to prevent the eclipse from unleashing horrors upon the world. The dark entities possessing Richelieu, King Louis XIV, and others are ambiguous but effectively menacing, their presence adding an element of horror to the tale.

While the creatures could have used more backstory, they work well as a looming, unknowable force of evil. The gothic atmosphere, combined with sword fights, chases, and supernatural peril, ensures that the story remains gripping throughout.

STUNNING ARTWORK BRINGS THE ERA TO LIFE

Visually, Terror of the Cabinet Noir is one of Titan Comics’ most striking releases yet. The artwork excels in capturing expressions, movement, and period details, while the colouring work perfectly evokes the murky, candlelit aesthetic of the era. The flashback sequences, drawn in a more stylised, sketchbook-like manner, add another layer of visual intrigue.

VERDICT: A SWASHBUCKLING, SUPERNATURAL TRIUMPH

With its rich historical setting, high-energy action, and a captivating new companion, Terror of the Cabinet Noir is a triumph. Julie d’Aubigny is an excellent addition to the Doctor’s world, and the story expertly blends folklore, history, and science fiction into a thrilling adventure.

📝9/10


MrColdStream

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This is an excellent strip. The plot is really solid and interesting and the art is lovely, particularly the flashback sequences. The characters are interesting and well-developed. It's a shame that the main original character doesn't seem to appear elsewhere at all. This strip was written by the writer of the series Nikola Dante and, while I've not read much of that, I have read some and I can see the similarities in a good way.


Bongo50

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