It's the one with the furries that either kill you or assimilate you. It's as though it were made for me. Seriously though, this was a great one, worthy of being the finale of the original series; it's a well-constructed mediation on violence and survival and what that turns people into, on what 'home' means, on the strength that pacifism requires. It's also about Lisa Bowerman as Ace's furry girlfriend, the absolute cherry on top of this magnificent finale.

I initially was very down for what Survival was putting out.  The Master is back and has a cat-people related scheme.  It's nice and simple, which, in hindsight, isn't a terrible way to end the original series.  But by episode two I am bored and dulled to the cheap alien planet, the silly make-up, and goofy acting by the cat-people.  It lost me, but at least goes out on a sweet enough moment between Ace and the Doctor.  Those two are charming as always and practically carry Survival on their backs.

This is part of a series of reviews of Doctor Who in chronological timeline order.

Previous Story: The Curse of Fenric

Just like that, it's done. I started this journey over a year ago now (sometime in November) and while it's not truly over yet (thanks Big Finish!) this does mark a big milestone. Survival feels like a very fitting end. All about death and desperation and, well... survival. It's not some masterpiece like The Caves of Androzani but rather, in my opinion, a good representation of Doctor Who as a whole.

The down-to-earth setting of Perivale really reminds of the council flats of the early RTD era. It's quite interesting to see that the show was going in that direction already before it got cancelled. I particularly love the first part, where it's just the Doctor and Ace roaming around Perivale looking for a mystery. The Doctor feels at his most alien here and I love it.

The story dips in quality when we get to the cheetah planet but it wouldn't be Doctor Who without a quarry. Still there are some interesting themes here and I quite like the idea that the Master doesn't even have some evil plot he's just trapped and needs a way out. Ace's little friendship with Karra was interesting aswell.

I thought the plot was resolved a bit quickly and I'm not sure how the Doctor and the Master were just able to freely travel between Earth and the cheetah planet. Still having it be one final fight between the Doctor and the Master, no gadgets or scheming plans but rather just fighting like animals was a good way to end it in my opinion.

As with the rest of the McCoy era, the soundtrack and visuals to this episode were exceptional (By classic standards) but in the end, I can see why it was cancelled and I think in the long-run it's done more good than harm.

Next Story: Thin Ice

While I may have finished Classic, in the wise words of the First Doctor, "It's far from being all over."

📝6/10

Thworping through time and space, one adventure at a time!

"Survival: An Uneven Farewell to the Classic Era"

Survival serves as the final story of Doctor Who's original run, a milestone that comes with its own weight of significance. While the story itself doesn’t reach the heights of other McCoy-era serials, it still delivers a solid, if unspectacular, adventure with some fitting thematic undertones.

The story begins with an intriguing and grounded setup—people going missing in modern-day Perivale—and then quickly pivots to something far more fantastical with the introduction of the Cheetah People and their strange, desolate planet. The shift from mundane to bizarre is one of the story’s strengths, as it keeps the audience guessing. However, after the initial intrigue, Survival struggles with its pacing.

Part Two in particular feels stagnant, with characters wandering the planet aimlessly, and the plot doesn’t progress much until the final episode. The resolution itself—centered on the Master’s escape and the planet’s destruction—feels anticlimactic and doesn’t provide a particularly thrilling showdown. Still, the final scene brings everything back to Earth and provides a quiet, reflective send-off for the series, elevating the conclusion significantly.

The Seventh Doctor is far more subdued here than in his previous outings, lacking the dark manipulation and intensity seen in The Curse of Fenric or Ghost Light. While Sylvester McCoy’s more laid-back approach works in some places—particularly in his interactions with Ace—it does mean the Doctor feels less engaged overall. That said, his poignant closing monologue about life and survival is both poetic and iconic, serving as a beautiful farewell to the show.

Anthony Ainley’s Master, meanwhile, is disappointingly underwhelming. While the concept of him being corrupted by the Cheetah People is interesting, Ainley seems to be phoning it in, and the Master’s presence feels more like a plot requirement than a vital part of the narrative. However, the dynamic between the Doctor and the Master still manages to shine in moments, reinforcing their “special relationship,” as rivals and reluctant allies.

Ace remains a standout in Survival, with Sophie Aldred once again proving why she is one of the most well-developed companions of the classic series. Her possession by the Cheetah People gives her a unique challenge, yet Ace’s strength of will and innate goodness shine through. The story also deepens her character by exploring her connection to her hometown of Perivale—a place she finds both familiar and alien after her travels with the Doctor.

The production design in Survival is a mixed success. On the one hand, the Cheetah People are impressively realized for the time, with their makeup and costumes lending them a sense of realism and mysticism. On the other hand, the alien planet itself—shot in what feels like a quarry yet again—fails to feel otherworldly. It’s visually competent but not particularly inspired, which weakens the story’s atmosphere.

The music, however, is a highlight. The score complements the action and helps maintain a sense of excitement and mystery, even when the pacing falters.

While Survival doesn’t have the same thematic depth as stories like The Curse of Fenric or Ghost Light, it still manages to explore intriguing ideas about instinct, survival, and transformation. The Cheetah People’s connection to primal instincts and the planet’s corruptive influence provide a symbolic exploration of humanity’s struggle between civilization and its wilder nature.

The lighter tone of the story is a contrast to the darker narratives of Season 26, though it still retains a subtle air of mystery. However, this tonal shift might make the story feel less consequential, particularly as the series finale.

Where Survival ultimately redeems itself is in its final moments. The Doctor’s monologue—delivered against a backdrop of Ace and the Doctor walking through Perivale—is simple, profound, and beautifully written:

There are worlds out there where the sky is burning, where the sea’s asleep and the rivers dream. People made of smoke and cities made of song. Somewhere there’s danger, somewhere there’s injustice, and somewhere else the tea’s getting cold. Come on, Ace. We’ve got work to do.

This closing moment encapsulates the essence of Doctor Who—hope, adventure, and wonder—and serves as a fitting end to the classic era.

Final Thoughts:

Survival may not be the epic conclusion some might expect for Doctor Who’s original run, but it’s a decent, if flawed, story that offers moments of intrigue and character depth. While the plot feels repetitive and the Master is underused, Ace’s journey and the final monologue provide emotional resonance and a sense of closure.

In hindsight, Survival's title carries a certain irony and hope. While the classic series ended here, the franchise itself endured—through books, audios, and eventually the modern revival—proving that Doctor Who truly does survive.

Random Observations:

• The line about Sundays being boring is a clever meta-joke about Doctor Who airing on Saturdays.
• Rona Munro’s return with The Eaters of the Light (2017) makes her the only writer to bridge the classic and revived eras.

I really like Survival. It's a really exciting story with an interesting theme and message running throughout. There are some excellent action sequences. I also think that the Cheetah People look great: the costumes and prosthetics are really good throughout this entire season in my opinion. Episode 2 is also notable for producing possibly my favourite blooper of any Doctor Who story ("Will you f**king stay still!"). Survival was not meant to be the end of Classic Who: it's not a special story, and it was never originally intended to be. Even so, I think the production team did a good job giving the show a nice send-off in the final speech (which was recorded because the team suspected that the show may have been about to get canceled). Even still, Classic Who should have never ended here and I'll forever morn what we've missed out on due to its premature cancelation.