As it's my personal 10th anniversary of discovering Doctor Who, I've decided to do a full rewatch of the series (something I haven't done in at least 6 years) to both celebrate the show and prepare myself for the 60th anniversary specials and upcoming series of the show. Rose, to this day, still stands as the best possible introduction to the world of Doctor Who. Every single detail of this episode perfectly sets up the universe to someone completely unfamiliar with the series, and despite some iffy special effects, the episode still holds strong today. The story also does an excellent job introducing another aspect of Who, the cheesiness. To fully enjoy the show, it's my belief that one has to be okay with a lot of camp, and this episode, with the Auton Mickey and killer mannequins, does exactly what it should in setting the viewer up for the program. Overall, a fun episode, and one that certainly excites me for the journey ahead.

Pretty strong opener to newcomers to Doctor Who, Russell did a phenomenal job reintroducing the Doctor and the story's impressively strong from beginning to end.

This is probably the nu-who episode I re-watched the most and I realize how much it successfully pulled off everything it attempted. The episode works perfectly as a re-introduction of the Doctor as a character while also introducing his character arc of a Doctor traumatized by the time war and trying to come to terms with himself and in only a handful of really well written interactions we instantly get the stakes of the character, his mysterious lore and heavier backstory with a lot of emotional impact (I especially really like Eccleston's monologue comparing himself to how the earth is spinning). What I think is great is also how everything is balanced with a lot of comedic bits to avoid making an episode who is too heavy or too dark emotionally (I really like all the Jackie bits) and while I think some moments are definitely too cheesy for their own good (The plastic mickey bit especially) or that the pacing is a bit weird at times, I still think it's overally well executed and that the highlights overshadow easily those flaws.

Overall a great introduction and a stellar first episode for one of the best new who seasons.

I LOVE ROSE TYLER

Watching this as part of a watch along in a discord server very fun dynamic and made me love the episode even more honestly it’s such a fun start to the revival

What can I say? This is a truly great opener to the 2005 revival, and when I was a child it got me hooked in minutes. Rose will always hold a special place for me- it was my first ever episode, and a wonderful introduction to the world of Doctor Who, which is exactly what it was supposed to be.

Setting up the episode through Rose’s eyes to allow a slower build up to an alien threat worked brilliantly, letting the show feel updated and as though it had a place in (what was then) the present. Those new to Who went on that first journey with her, got to know the Doctor as she did, and as such the exposition present isn’t too much. Watching it now, explaining the TARDIS, (what she is, what TARDIS stands for) all feels a little long winded- purely because I already know all that from the past almost-20-years of watching. As a child, the threat felt very real, and- call me silly- but I still eye shop window dummies suspiciously on occasion, just in case.

In terms of character, Rose does a great job too. You meet Rose, of course, and she feels like an everyday person- she’s real and normal and this is all happening to her completely by chance, but she rolls with all the strangeness with a level of composure I could only dream of. The Doctor, too, within seconds of meeting, grabs her by the hand and pulls her out of danger, and the conversation in the lift is a perfectly condensed look at their whole dynamic. ‘What makes you say that?’ ‘It’s gotta be students’ ‘good thinking.’ He knows from that moment that she’s not just a stupid ape but someone worth having around, and despite walking away after blowing up her job, it’s clear that he’ll want her to come with him, and that she’ll want to go.

• I can feel it. The turn of the Earth. The ground beneath our feet is spinning at a thousand miles an hour, and the entire planet is hurtling round the sun at sixty seven thousand miles an hour, and I can feel it. We're falling through space, you and me, clinging to the skin of this tiny little world, and if we let go.

Who are you, Doctor? This brilliant alien who says things like this, blows stuff up, and… laughs about death and the invasion of Earth? He’s camp, he’s butch, he’s got PTSD and a chip on his shoulder the size of the London Eye, and, speaking of that ‘giant round thing slap bang in the centre of London’, he’s so wonderfully dense sometimes too. Who wouldn’t want to get in a box and fly off with him?

Jackie and Mickey, too, feel just as real as our main pair (plastic doppelganger aside), and it’s something I love about RTD’s era(s)- the companion always has a clear tie to Earth, they always have some solidified reason to come back home despite running off for an adventure. Even Clive has a life and a place in the world despite his limited screen time (RIP, you would’ve gotten on so well with LINDA).

Rewatching recently, I was struck by the 88 seconds long shot of the Doctor and Rose talking - it’s not a tense moment, it’s just a conversation, but it’s a wonderful way to bring the audience along. It’s not quick, few-second cuts between them. It lets the eye look at them both, between them both, see them within their environment and really get a feel for Rose’s World in the background. It’s just two people walking along and it looks like an everyday conversation, except… it’s most definitely not. He came along and turned it all on its head.

There are, of course, some imperfections with the episode. The CGI now is naturally dated, but that can’t really be helped, and that photoshop of Nine at JFK’s assassination always gives me the giggles. Also I simply refused to believe that Rose didn’t notice something was wrong with ‘Mickey’ after he was eaten by the bin. It’s so unnatural and unsettling and she didn’t even blink… Though perhaps that says more about her character than anything else, so focused on the Doctor that everything else is blurring into the background already?

One of the strongest introductory episodes of Doctor Who in existence, and an excellent start to the new series. This one is a perfect blend of old Doctor Who stuff with a new theme, new ideas, and a new creative direction, all of which I found quite powerful.

Its big Achilles' heel is the special effects and choices behind the editing. Even accounting for everything involved - the time period of this production, that the production crew in general had never made stories like this before, and the limited budget - visually Rose still doesn't hold up well and I do find it is much easier to sell people on Doctor Who with The Eleventh Hour. Wonky TV CGI is one thing, burping trash cans are another. Still, that aside, it is a perfect introduction to the Doctor, hitting all the right notes in intrigue, slowly building on the ideas of travelling through space and time, and showing off our new Doctor and companion, both of which are excellently performed. A solid pilot if there ever was one, and the start of a great new chapter in Who history.

✅86% = Great! = Essential!

Thworping through time and space, one adventure at a time!
"Hello Again, Sweetie: A Fresh Start for a Timeless Classic"
From its opening notes of Murray Gold’s reimagined theme to its thrilling closing moments, Rose triumphantly relaunches Doctor Who for the 21st century. Russell T. Davies expertly reintroduces the mysterious Time Lord, the iconic Autons, and a relatable new companion in a story that feels both nostalgic and refreshingly modern.

1. A Companion’s Perspective

The episode smartly unfolds from Rose Tyler’s point of view, making her the audience surrogate for both new and returning fans. In just a few minutes, we learn everything we need to know about her ordinary life—complete with a commanding mother (Camille Coduri) and a goofy, underappreciated boyfriend, Mickey (Noel Clarke). This grounded introduction quickly gives way to the extraordinary when Rose encounters murderous mannequins and the enigmatic Doctor, played with boundless energy and nuance by Christopher Eccleston.

2. The Doctor Reimagined

Eccleston’s Ninth Doctor is a striking departure from the Classic Era. His leather jacket and buzz cut scream “ordinary bloke,” but his quirky alien demeanor and profound emotional depth reveal layers of sorrow and rage beneath his cheerful exterior. The hints at a mysterious war in his past add to his intrigue, making him both approachable and enigmatic.

Eccleston’s chemistry with Billie Piper is immediate and electric, particularly in their iconic walk-and-talk scene, where he opens up just enough to intrigue both Rose and the audience. Piper shines as Rose, embodying a curious and relatable young woman who reacts to the Doctor’s world with just the right mix of wonder and skepticism.

3. Balancing the Old and New

Davies masterfully weaves together elements of Classic Who and contemporary storytelling. The Autons—creepy killer mannequins not seen since the 1970s—are a perfect reintroduction for longtime fans while also delivering genuine scares to newcomers. Meanwhile, the episode’s brisk pacing, sharp dialogue, and character-driven drama feel distinctly modern.

The humor, though silly at times, is genuinely fun, and the action sequences are effective, particularly the tense climax with the Nestene Consciousness. While the anti-plastic solution is a bit simplistic, it doesn’t detract from the story’s excitement.

4. Flawed but Endearing Visuals

Looking back, Rose’s visuals show their age. The glowing white filter and some of the CGI effects—like the sentient wheelie bin—feel dated. However, the practical effects, especially the Autons, hold up remarkably well, capturing the classic charm of the series. Fans of Classic Who will appreciate the “wonky but endearing” aesthetic that runs through this and other early episodes.

5. A Template for the Future

Rose establishes a blueprint for many episodes of the revived series: a fast-paced, exciting adventure balanced with meaningful character development. It reintroduces the Doctor as a larger-than-life figure while keeping the story grounded through the relatable perspective of his companion.

The opening scene with the Autons creeping toward Rose remains one of the most iconic moments in modern Doctor Who. It encapsulates the episode’s ability to blend the eerie with the thrilling, setting the tone for the series’ return.

6. Final Thoughts

Rose is a triumphant revival of Doctor Who, seamlessly blending nostalgia with innovation. It’s sharply written, expertly directed, and brought to life by a talented cast. While some of its visual effects feel dated, its heart and energy are timeless.

Welcome back, Doctor. We’ve missed you.

RANDOM OBSERVATIONS:

• The Ninth Doctor has recently regenerated and had several adventures on his own before this episode.
• It is lovely how this episode feels modern by actually having Rose search the internet to try to find out who the Doctor is.
• Not even New Who is always great! The scene with Mickey being drawn into the garbage bin, followed by the bin burping, is cringeworthy.
• I love the TARDIS interior reveal. They draw it out so perfectly, and the moment is so rewarding.
• The Doctor: "Lots of planets have a north!"
• The disappointment in the Doctor's eyes when Rose initially turns down his offer to join him is so palpable, it's heartbreaking.

This is the 44 minutes of television that changed my life. Or more specifically, the moment Rose walked in, around, then back into the TARDIS is the moment that changed my life. It lodged in my brain and grew into an obsession which led me to the first 156 Doctor Who stories, then back to this one. It’s a game changer which everlastingly upped the stakes for our favourite show. It didn’t just bring new fans, but it solidified its place in history for more than just the likes of fans like Russell T Davies.

Christopher Eccleston is the perfect Doctor Who. Serious and silly and unknowable. Absent minded and alien but kind. He is backed up by robust writing and an exciting and incredibly unlikely series of events. What were the chances that a serious writer on a career high would want to touch this show, which was tainted in the eyes of the public. Then on top of that - that a serious, talented actor like Christopher Eccleston would have been excited by the prospect of taking it on and adding his weight to the production. Then on top of THAT - that teenage pop star Billie Piper would be earmarked as an appropriate talent for the show… then really would turn out to be the sensation that Russell and Andy Prior knew she would be. So much had to go right to end up with Rose.

It’s all about characters isn’t it? That’s the big change. It’s not about the Autons, or plastic Mickey or a burping bin. It’s about a girl who works in a shop, with a useless boyfriend and a funny, lonely mother who’s a chancer. And then, of course, a man who enters her life and is more interesting than anyone else she has ever met. Someone who is able to unlock opportunities and a new life that she never dreamed would be possible. With superb characters in place this show is now poised to go anywhere and do anything. Everything is possible.