It's crazy to think that with the upcoming release of the Target novelisation of Jubilee also written by Rob Shearman, he's basically written the same story four different times! First with Jubilee, then Dalek, then the Dalek novelisation and this year the novelisation of Jubilee. Time will tell what new material he can bring to arguably his most iconic work. Of course Dalek and Jubilee are very different stories in their own right, Dalek mainly just borrows the bare bones of Jubilee and takes on a life of its own. Though the target version of Dalek does noticeably take a lot more from Jubilee, right down to dialogue that felt somewhat out of place coming from characters like Rose and Goddard when they were originally written for Evelyn and Miriam. But it still brings it's own unique take on the original classic to the point where it feels like a completely different story. We get some of the abstract storytelling from Shearman that I adore as we cut back occasionally to a boy on a green hill and it isn't until much later we learn what the nature behind this is. This book is really more the Dalek's story as well as Van Statten and his staff's story, to the point where the Doctor and Rose feel like secondary characters who are only there to say the lines from the episode as well as a few extra lines taken straight out of Jubilee. Every couple chapters the book takes a detour into the backstory of one of the characters which we get more insight into, from Simmons's sadistic past, Van Statten's messed up upbringing, Goddard's secret romance with one of the guards as well as being an undercover agent, Adam's slightly unhinged mindset, even the female guard who dies protecting Rose and Adam gets a surprising amount of depth. But out of all the stories it the Dalek's that steals the show as we get a glimpse into the psychological effects of what goes into making a Dalek what they are, how they're given a taste of what happiness feels like only to take that away from them and drill into their heads that no other life forms deserve such happiness. How the Daleks look upon their commanders almost as fathers, we even get a brief cameo from the War Doctor as the Dalek feels like a lost child wandering through an empty battlefield before falling through time, this is book is just so rich and full of depth. Like I mentioned before with The Cruel Sea, the one nitpick I have with Shearman's writing is it's very noticeable how he repackages a lot of previous works, I mean most Doctor Who writers do this but because Sherman's collection of stories is so small it tends to stick out more. But so long as he knows how to reuse them correctly I've no complaints. This was a fantastic book and I'm more excited than ever for his next novelisations of two of his finest works and hopefully the first of many Big Finish novelisations.

It is no secret to those who know me that Robert Shearman is my favourite Doctor Who writer of all time. Chimes of Midnight is probably my favourite Doctor Who story of any medium. Deadline is probably my favourite Big Finish script. Even Scherzo and Dalek (TV), my two lowest rated Shearman stories, I gave 4.5 stars to; with Dalek (TV) being one that I could arguably bump up to 5 stars. I feel like Shearman understands the show in ways few others do, and he is incredibly skilled as a storyteller, especially in his use of tone.

So of course, I was excited for the Target novelisation. And when I first read it a few years ago, I enjoyed it but didn't love it.

For its 20th anniversary, I rewatched Dalek (TV) and loved it, giving it aforementioned 4.5 stars. My only criticisms being that Adam Mitchell isn't a good character and wastes time and space; and that I wish Rose felt more guilt for her actions leading to the deaths of so many. After watching this episode and adoring it, I decided I'd give the novel another shake to see if I'd enjoy it more this time around, especially with the episode it's adapting still in my mind.

This is my least favourite Shearman by a large margin, and it frustrates me to no end that it is because so many of his best qualities shine throughout.

Let me start with the positives: this is an incredible read. As prose, it's easily a 4-4.5 star. The way that Shearman writes is beautiful, compelling and accessible. The story flows from one word to the next with ease, and I felt it was definitely a bit of a page turner. I also feel like that there two significant changes both work: Goddard becoming an FBI agent gives her so much more depth, and it makes her betrayal of Van Statten feel more fleshed out and real; and the Van Statten's fate not only adds a karmic justice, but also makes the titular Dalek feel more calculating, and cruel. To cause this fate not through physical violence or death, but purely psychologically hurting Van Statten. It's very Whittaker in the Dalek portrayal, and very Shearman in the psychological sense.

I will be talking more about the backstories in a moment, but there are two that stand out: the first and the last. The first is just a very good short story with great prose and character insights. The latter.... It's just spectacular, and the insight it gives into the Dalek's past is just absolutely stellar.

But here we get to the crux of the issue I have with this adaptation: there are only 2 significant changes to the narrative itself, and there are multiple new backstories with only one that truly gives me new insight into the story, with the other one I praised being great in and of itself, but in the context of Dalek the story? Why do I care? It didn't make me feel for the torturer more, nor did it make me feel for his death. I just thought it was a nice, unrelated short story that Shearman had glued into his Dalek novelisation.

For me, these backstories are just distracting. They interrupt the flow of the narrative and no matter how well written they are, it just makes the story feel bloated as they don't really make me feel more invested in the characters they're about, with exception of the final backstory character, and to an extent Goddard.

I also feel like because the rest of the book is a fairly straight adaptation and so much time is spent on these side characters, 9 and Rose almost feel sidelined in their own story... And it really does harm it for me. There are a few great small moments where added depth is given to both, but the breakneck pace at which the normal adaptation happens while the backstories get fleshed out and more time to breathe makes it feel like Shearman almost wasn't too interested in actually doing Dalek. It genuinely feels almost bizarre having the main characters rush along while side ones get so much focus.

And that's the other issue: the pacing. The start and end (especially the end) feel rushed, and scenes from the TV episode really are just in here almost verbatim with only minor changes for the most part, and we move on from them super quickly. But again, the backstories get very long, very dedicated sections. And it just emphasises the problem of them being distracting from the narrative.

2.5 may feel harsh when I loved the writing so much, but it's what I feel in my heart. Because while I think this is an amazing book, I don't think it's a good adaptation. I wish it fleshed out the actual scenes of the episode, instead of brushing past them. I wish it tied the backstories more into the narrative. I wish the backstories weren't given almost entirely to characters who die and we don't care about.

It's just a frustrating book because I know Shearman can do better! He has before, multiple times! He hopefully will come October with his next adaptations! Hell, he has in this very own book at points. But in my heart of hearts, I feel this is just a let down. Maybe it could one day be a 3 for me, but with how much it annoys me in the way it's done, I doubt it.

What a shame.

wow. this was so dark, added so much depth to the original story, made it so uncomfortable, tense and scary.

read it with nicholas briggs’ audiobook, and his reading really added to the tension, apart from his terrible ninth doctor impression lmao.

so bloody good.

An excellent Target novelisation of the original episode. Robert Shearman's writing offers a deep exploration of the characters featured within the original script, giving us a greater understanding of their backstory and motivations. This is a Target novel that improves on the already perfect pre-existing episode, and offers new layers for fans to explore.