Delta and the Bannermen is a really entertaining and fun story. It has a great cast of characters, good settings, nice location work and excellent music. The plot is pretty interesting, although I did notice a few small inconsistencies.

Personally I enjoyed this one. Episode one was great, good pacing and mix of elements setting up the story. I can definitely see how this influenced future stories like Voyage of the Damned and Planet of the Dead. Some great humor as well.

The other two parts were just okay. However, I enjoyed the final scenes, felt very modern with the song playing while wrapping things up.

Other than the great, (but campy,) 80s music, Doctor Who is definitely on it's way growing up.

Though Season 24 doesn't have the best reputation, this and Paradise Towers aren't that bad by any stretch of the imagination.  Sure, Delta and the Bannermen is a little silly, but it is silly in the best way imaginable.  Full of colourful and memorable characters, while just going for every wacky idea in the book.  A werewolf showing up in such circumstances practically feels expected, rather than the abrupt turn it ought to be.  I had a lot of fun with these episodes and enjoyed a lot of the guest characters like the eponymous Delta, while the 1959 setting worked well for me.  It's a lot like Paradise Towers, where both serials are jam packed with ideas and fun characters, and while the energy is quite chaotic, it is also very infectious and hard not to enjoy.

This is part of a series of reviews of Doctor Who in chronological timeline order.

Previous Story: Flip-Flop

What an absolutely joyful story. It's silly and absurd in all the ways I enjoy. It's hardly some masterpiece of writing, it's got extremely ridiculous performances and yet I'd go back to it over most stories any day. Having a story set in Wales properly is really fun and brings us some excellent side characters. Ray, for example, was great.

It wasn't all good side characters, Delta was really flat and uninteresting. So was Billy too for that matter. Their whole relationship felt like it came out of nowhere if I'm being honest. It's the only part of this story that makes me think it could've done with an extra part. I did really like the Bannermen though, silly as they were. Gavrok in particular is a really over-the-top villain but nonetheless an enjoyable one.

It's really interesting watching what's essentially a love letter to the 50s... from the 80s. Fascinating to see how the perception of an era has changed (or rather, not changed) in all this time. It's also an excuse for a lot of actual 50s music which was really odd as I'm so used to Classic Who being devoid of any pop culture. Speaking of music, the score was brilliant for the most part. A bit distracting in some places but again I'm used to really bland incidental music that having a genuine soundtrack like this is good enough on it's own.

Absolutely love this story.

Next Story: The Fires of Vulcan

A nice romp, extremely camp and enjoyable. The plot is a bit thin, and both the Chimerons and the Bannermen are pretty flat, but most of the other side characters are great (except Billy, who felt like a cardboard cutout for most of the run). Ray was especially delightful, though I'm glad we ended up with Ace as a companion instead. I'm not sure why the Americans were there, but I'm glad they were. Overall, it's not one I'd go to rewatch, but it makes for fun background noise.

I may be biased, since I love the goofier Doctor Who stories, but this is one of my favorite stories of all times. The pacing is relatively quick, even if it does gloss over some details. But as a whole, it handles the 50's setting very nicely, and Burton's a nice supporting character. It does wrap up rather quickly, and leaves myself wondering what happened to warrant the attempted genocide? The character of Ray would've been an interesting companion. It would be a nice What-If or a solid unbound, so I'm looking forward to getting more things with her. I'd prefer a bit more depth into the Bannermen war, but as it is, there's plenty of opportunities towards the return of the Bannermen. I understand that this isn't everyone's favorite story, but I'm very glad I picked this up when the Collection Blu-Ray came out here in Australia. This story feels very 7th Doctor, as it has all the silliness of his early years, but the dark undertow of later stories like the Curse of Fenric and Ghost Light.

Conclusion: One of my favourite stories ever, goofy as hell, but manages to juggle that with the underlying darkness that this story has. It's musical, but not too musical, and that helps to make it one of the few Classic Who stories I can watch whenever.

Thworping through time and space, one adventure at a time!

“DELTA AND THE BANNERMEN: ROCK 'N' ROLL AND RAY GUNS”

With Delta and the Bannermen, Doctor Who throws itself headfirst into an energetic blend of pulpy sci-fi action, 1950s rock 'n' roll nostalgia, and campy humour. Right from the opening moments, we’re treated to a classic quarry battle, complete with janky visual effects, even jankier acting, and a certain low-budget charm that defines much of 1980s Who.

The story follows Delta, the last surviving member of the Chimeron race, as she flees from the ruthless warlord Gavrok and his Bannermen. Having stolen a vital genetic secret—the last hope for her species—she crashes into an otherwise light-hearted adventure as the Doctor and Mel win a holiday to 1959 America. Or rather, a Welsh holiday camp masquerading as 1959 America, complete with rock 'n' roll tunes, leather jackets, and an over-excited tour guide. Of course, Delta and the Doctor's paths cross, and soon enough, the peaceful trip turns into a deadly game of cat and mouse.

It’s an ambitious mix of tones, with high-stakes sci-fi action running parallel to a lighthearted, nostalgia-filled romp. While the two don’t always gel seamlessly, there’s something undeniably fun about seeing space battles and motorcycle chases set against the backdrop of an old-fashioned holiday camp.

A SLOW START, BUT A STRONG FINISH

The first episode leans heavily into its 1950s aesthetic, taking time to establish the setting, the quirky supporting cast, and the love triangle between Billy, Ray, and Delta. There’s little tension, as Gavrok and his Bannermen are largely absent until the cliffhanger, making this section feel more like a culture-loving tribute to the 50s than the opening of an action-packed adventure.

But once Gavrok makes his move in Part 2, the story finally starts to pick up. The pace quickens as the Doctor and Ray zip around on a motorcycle, trying to keep Delta safe, while the Bannermen begin their attack in full force—taking hostages and shooting up the place. The stakes feel much higher in this section, and Sylvester McCoy’s Doctor gets some great moments to shine as he outwits the villains and works to protect Delta and her newly hatched daughter.

Part 3 brings all the elements together for an action-packed finale, full of motorcycle chases, gunfights, and clever Doctorish problem-solving. Delta and her daughter prove they can take care of themselves, while the Doctor uses his wits to turn the tables on Gavrok. Though the final defeat of the Bannermen—using the Chimeron princess’s powerful scream—might feel a little reminiscent of Fury from the Deep, it at least makes sense within the story, given the genetic history of Delta’s people.

A CAMPY BUT CHARMING PRODUCTION

The budgetary constraints of late 80s Doctor Who are on full display here. The special effects are laughably bad at times, with cheap laser blasts, dodgy make-up, and sound effects that often seem more suited to a children’s cartoon than a sci-fi action story. But that’s all part of the charm.

The soundtrack is an odd mix of rock 'n' roll influences and 80s synthesised music. It would have been nice if the music had leaned more heavily into an authentic 50s style, but even as it stands, it adds to the episode’s quirky and offbeat tone.

That being said, while the costumes and hairstyles sell the time period, the atmosphere of 1959 isn’t always well maintained. The story starts with a Grease-like aesthetic, full of jukeboxes, milkshakes, and classic cars, but as the action ramps up, the nostalgic vibe fades into the background, making way for the more traditional Doctor Who plot about an intergalactic chase.

SEVEN SETTLES INTO THE ROLE

This is an important story for McCoy’s Doctor, as it marks the moment he begins to settle into the role. Gone is much of the bumbling clown persona that defined his early episodes; instead, we see the emergence of the quick-thinking, quietly manipulative strategist who would later become his defining trait. He still has moments of humour and eccentricity, but there’s also a stronger sense of confidence and command in how he handles the situation. This is also the story that introduces his now-iconic question mark umbrella, a fitting addition to his growing visual identity.

Bonnie Langford does well with what little she’s given, but unfortunately, Mel remains underutilised. She spends much of the story separated from the Doctor, hanging out with Delta and largely reacting to events rather than driving them forward. This continues the frustrating pattern of Mel being sidelined in favour of other characters.

THE COMPANION WHO NEVER WAS

One of the biggest standouts of the guest cast is Ray, played by Sara Griffiths. She’s instantly likeable—warm, courageous, and quick-witted—and it’s easy to see why many fans consider her a prototype for Ace. She even has a signature catchphrase (“He’s been ionised!”), though it never quite caught on. Had circumstances been different, she could have made for a fantastic full-time companion, bringing a fresh energy to the TARDIS team.

Sadly, she gets the short end of the stick in the story’s love triangle. Billy, the bland and uninteresting mechanic, drops her the moment he sets eyes on Delta, leaving Ray heartbroken. And frankly, Billy doesn’t deserve Delta either. His decision to genetically alter himself to become a Chimeron just so he can be with her is an interesting plot point, but it’s also a bit ridiculous given how little chemistry they have. It’s a shame, because Ray’s unrequited love arc could have been handled with a bit more depth rather than being brushed aside.

COLOURFUL CHARACTERS AND A MEMORABLE VILLAIN

The supporting cast is full of over-the-top, eccentric characters, which adds to the story’s whimsical tone. From Ken Dodd’s flamboyant Tollmaster to the ever-cheerful Captain Murray and the amusingly oblivious holiday camp manager Burton, there’s no shortage of larger-than-life personalities.

Then there’s Goronwy, the mysterious beekeeper, played with quiet wisdom by Hugh Lloyd. He exudes a strange sense of knowing more than he lets on—so much so that some fans have speculated he might be a Time Lord in disguise. While that’s likely just a fun theory, his presence adds a layer of intrigue to the story.

On the villainous side, Don Henderson plays Gavrok with the right mix of menace and camp. He chews the scenery just enough to make him entertaining but still maintains a degree of genuine threat. His best moment comes at the end of Part 2, where he faces down the Doctor while nonchalantly snacking on raw meat. It’s a wonderfully bizarre moment that makes him feel all the more unhinged.

📝VERDICT: 6.5/10

Delta and the Bannermen is a wildly uneven but charmingly offbeat adventure. It’s packed with fun ideas—intergalactic tourists, a 50s holiday camp, a doomed alien princess on the run—but struggles to fully capitalise on them. The first episode leans too heavily on nostalgic fluff, the middle section finally kicks into gear with action and intrigue, and the finale delivers an entertaining (if slightly ridiculous) conclusion.

The performances are a mixed bag, with Sylvester McCoy starting to find his feet as the Doctor, while Sara Griffiths' Ray steals the show as the best companion we never got. Meanwhile, the villains and supporting characters add plenty of colour, even if some of them feel more like caricatures than real people.

Yes, the production values are wobbly, the editing is clunky, and the sci-fi elements never quite mesh with the 50s aesthetic as well as they should. But despite its flaws, Delta and the Bannermen has a unique charm that makes it an enjoyable—if slightly bonkers—entry in the Seventh Doctor’s era.

This serial somehow simultaneously had far too much and far too little going on. As many others have said, it likely would have benefited greatly from having just one more episode, or, if they really couldn't afford that, getting rid of the pair of Americans to make more time for the characters to actually matter to the story.

The pacing is very odd, especially in the first part. I kept finding myself confused and wanting scenes that feel as though they've been cut out last minute. More time on the Chimeron planet, more time to see Delta and Billy fall in love, more time to grieve Murray and the other people on the bus. Perhaps a script editor going to town with a red pen could have saved this episode.

That's not to say I hated the whole thing; the atmosphere is fun, but after the camp dream that is Paradise Towers this simply doesn't hold up. I also appreciate that they allowed the locals to speak Welsh.

This whole serial felt really random, a lot of the decisions characters make felt like they came out of nowhere, and the whole story didn't feel well thought out. And what was the deal with the two American men?

The Bannermen were boring, standard villains.

Another example of some interesting ideas not particularly well realised on screen. Starts off well enough but never really goes anywhere interesting and even by classic Who standards everything feels a bit cheap and tacky, perhaps aptly for a story set in a holiday camp!

Perhaps the first serial I've seen that would have benefited from one more episode rather than one less. I enjoy the first two episodes, but the ending comes so suddenly it's really unsatisfying. More time would have helped to: 1) flesh out the Chimerons' history and just what is up with that green baby; 2) lend more emotional impact to the tourists' and Murray's deaths; 3) develop Delta and Billy's relationship; and 4) give Ray's crush on Billy some more heft.

As it is, the whole thing is bright and invigorating. Some of the best costumes of the entire series, particularly for Mel and Delta. The comedic and musical performances, and the use of period music for the score, are also (pardon the pun) ace. And of course, Ray is a great character with a great actor. While I wouldn't wish her as a replacement for Ace, nor a co-companion (too similar), some missing adventures with the Doctor, Mel, and Ray as a Tardis team would be great...

A deeply silly serial of a deeply silly show

Easily the worst episode of the show if you hate fun

Delta and the Bannermen has such a different and strange tone for the show - light, frivolous and fast - focusing little on details. I initially found it tricky to get into because of the huge cast of characters but once I locked into the relatively simple story I fell in love with the settings, characters and weird change of pace in part one. The Doctor at a Welsh holiday camp filled with shape shifting space visitors in 1959 must be the most Doctor Who-ish concept ever.

Part two and three are much looser limbed and aimless. As with much of this show nowadays a promising premise gets lost in a lot of running around. This is compounded by the sheer number of characters clouding what should be a pretty straightforward story. The two American comic relief characters for example should have been cut - this would have allowed time for the plot to be explained in a less perfunctory way.

The Bannermen never really posed any kind of threat, just chase scenes. I was a fan of the Welsh girl though. Sylvester’s Doctor continues to impress - how he smashes what he’s given is mad. Imagine how good season 22 would have been - better scripts and a much more powerful lead actor. We can dream.