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TARDIS Guide

Overview

Released

December 2010

Runtime

66 minutes

Time Travel

Unclear

Synopsis

26 years ago, a team of scientists came to a moon to unearth the secrets of a long-dead civilisation. They were later found to have died in what the authorities called an anti-matter explosion. Alone and desperate, Bernice Summerfield will do anything to get back home. But where is home?

The capital world of Zordin seems to offer the only chance of answers, but that’s a long way away. The offer of a job could be her best way of paying for the voyage but… archaeology is illegal… and there’s a quarantine… and she’ll have to leap from a spacecraft in orbit. But what does that matter?

On a world guarded by armed satellites and patrolled by defence drones on the surface, Benny’s going to have to use all her knowledge, skill and wits. And that’s just to get there! Because it’s not the moon itself that’s the problem. It’s what happened there; what remains there; what might escape. What matters? Nothing.

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I think they were trying to parallel the three main characters (Matka - the aggressive parent fighting for her children’s survival/ Benny - the lost parent who is unsure of her child’s fate/ Otek - the inert parent who cut off his child with the assumption that she had changed beyond his recognition) to the ‘matter/ nothing/ anti-matter’ concepts, with Benny realizing in the end that to NOT be ‘nothing’ she needs to find Peter again, but I don’t think it’s particularly well executed nor do I agree that Benny is ‘nothing’ without her child…

I also think the whole premise of Otek not being able to remove his finger from the switch is just a bit silly.


ivqks159

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