I have all the time in the world on my hands.

Almost 20 years after its last entry, PROBE finally returned for one final film, sadly, however, it seems the overall quality was lost along the way alongside the tragic death of Caroline John which resulted in a rather unfortunate case of recasting which hurts the film in more ways than one.

When Liz Shaw returns from a working holiday in Spain a new and deeply disturbing case awaits. Corporal 7891 Alpha has outlived his usefulness or rather the government can no longer afford to fund the medication. And that can mean only one thing... termination! At first glance a "government authorised execution" is a simple enough task for the Preternatural Research Bureau (PROBE) team. But as events unfold, and the truth about Corporal 7891 Alpha is revealed, the case becomes far more complex. Only Liz's wealth of experience, courage and determination can save the day — but not before her moral compass is knocked off course.

While the underlying themes of exploring the moral implications of immortality are handled intriguingly, the charm and quality of the storytelling have been lost along the way. The writing has taken a considerable nosedive alongside the acting and overall production. Bill Baggs juggles multiple roles both behind and in front of the camera for this one, acting as director, writer and even starring as one of the main cast in the form of new boy Giles, who would later go on to be the star of the webcasts a few years later. But he seems to be the only one with any passion for his role, everyone else seems to just be sleepwalking through this film from Hazel Burrows as Liz Shaw to Georgette Ellison as Patricia Haggard both of whom while portraying an elderly LGBTQ couple very well have next to no passion or involvement in the plot.

The special effects look even more dated than the 4 films from the 90s, the production values are incredibly amateurish with some really lazy camera work and editing. The biggest praise I can give this film is the rather unique and eerie synth score by Olivia Thomas which is by far and away the most interesting aspect of the film as it successfully builds some semblance of tension.

Overall, When to Die is a very lacklustre and rather embarrassing return for the PROBE series. You can see why they never made another film since it would be very hard to consider this part of PROBE's own timeline to its rather horrifically amateur nature. The increased amount of violence doesn't even warrant anything worthwhile and just comes across as a wannabe edgy drama.

The calm before the storm... we're ready, so where are you?