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“The War Games in Colour: A Bold Retelling of a Classic Regeneration Story”

This Christmas, the BBC delivered a bold reimagining of The War Games, Patrick Troughton’s swan song as the Second Doctor. The 1969 ten-part epic, originally in black-and-white, has been colourized, condensed into a 90-minute omnibus edition, enhanced with new special effects, and capped with a brand-new regeneration sequence bridging the gap to Jon Pertwee’s Third Doctor.

The original The War Games is a beloved classic, lauded for its ambition and scale, even if its length sometimes strains modern pacing standards. Naturally, such a drastic reworking invites scepticism, particularly after the mixed reception of The Daleks in Colour. However, this version offers a vibrant, modernised take on a beloved story, albeit with some flaws.

The colourization is a triumph. The once-muted war zones and futuristic War Room sets are now brought vividly to life, with exquisite attention to detail. The War Lord’s red glasses, for example, are a subtle but striking addition. These vibrant visuals, combined with some slick (if occasionally incongruous) CGI establishing shots, lend the story a fresh cinematic feel.

Mark Ayres’ new score enhances the drama, blending elements of Dudley Simpson’s original work with modern sensibilities. However, the music is often overbearing, risking overshadowing the dialogue and action.

Condensing a five-hour serial into 90 minutes inevitably requires sacrifices. The re-edit maintains the core mystery and dramatic beats, but the relentless pace leaves little breathing room. The story barrels from one action sequence to the next, often at the expense of character development and moments of introspection.

Supporting characters, such as Smythe, von Weich, and the Security Chief, are reduced to mere sketches, while others, like Villar, are omitted entirely. Lieutenant Carstairs and Lady Jennifer remain prominent, but their arcs are simplified.

One notable improvement is the removal of the repetitive capture-and-escape sequences from the original, a criticism often levelled at the 1969 version. The result is a more dynamic and engaging narrative, though it sometimes feels rushed.

The most controversial inclusion is the new regeneration sequence, adapted from a fan-made video. While visually impressive and smoothly integrated into the end of the story, it feels unnecessary. The original ambiguous ending, with the Time Lords’ punishment left unseen, had its own charm and mystique.

The use of the Master's theme whenever the War Chief appears is another divisive choice, hinting at a connection between the two characters. While it’s a fun nod for fans, it risks overcomplicating the narrative for casual viewers and undermining the War Chief’s individuality as a villain.

This new version of The War Games is a mixed bag. The colourization and streamlined storytelling make it an accessible and visually stunning introduction for newer fans, while the cuts and changes risk alienating long-time devotees. It successfully highlights the epic scale and key moments of the original but sacrifices much of its depth and character-driven drama.

For those seeking a fast-paced and modernised Doctor Who experience, this is a worthwhile watch. However, for purists and those wanting the full scope of Troughton’s farewell, the original ten-part saga remains unmatched.

📝Verdict: 7.5/10

A vibrant and exciting reimagining that honours the spirit of the original, though its rushed pacing and controversial additions may leave some fans divided.