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“THE LEGEND OF BABA YAGA – A DARK FAIRYTALE WITH A FUGITIVE TWIST”

The Legend of Baba Yaga transports the Fugitive Doctor to 16th-century Russia, weaving a tense, atmospheric story drenched in folklore, superstition, and harsh winter survival. As with Robot of Sherwood, this is Doctor Who once again pulling a famous myth into its own universe, reimagining Baba Yaga not as a supernatural crone but as an alien entity with a much deeper connection to the Time Lords.

It’s a slow-burning tale, one that builds its tension carefully. The Fugitive Doctor’s companion here is Vasilisa, the heroine of Slavic legend, on a quest to seek fire from Baba Yaga. But as always, the folklore is far removed from reality, and the Doctor quickly realises that the supposed “witch” might not be what the stories claim her to be. The interplay between the Doctor and Vasilisa, as well as the Doctor’s methodical approach to uncovering the truth, forms the heart of the story.

A MORE MEASURED DOCTOR, A BRILLIANT VILLAIN

One of the most fascinating aspects of Jo Martin’s Fugitive Doctor is her caution—rather than charging in headfirst, she takes time to assess the situation before deciding on her next move. It’s a refreshing contrast to other incarnations, making her feel distinct yet still very much the Doctor. She also gets to flex her knowledge of history and legend, delivering some classic “Doctor speeches” that reinforce her authority.

Her reason for being here ties directly into her ongoing mystery—she’s searching for answers. Why have the Time Lords encountered Baba Yaga before? Could her power be harnessed to keep the Doctor hidden from the Division? It’s a unique motivation that feels fitting for this incarnation, and Jo Martin plays the intrigue and quiet desperation beautifully.

Then there’s Jacqueline King as Baba Yaga. Known to fans as Sylvia Noble, she is utterly transformed here, delivering a chilling performance that makes Baba Yaga feel like a genuine mythological terror. Her spectral horsemen, with their deep, guttural voices, are an eerie presence throughout, adding an extra layer of menace to the story.

SLOW-BURN HORROR WITH LITTLE ACTION BUT LOTS OF ATMOSPHERE

Unlike Fast Times, which was a high-energy chase story, The Legend of Baba Yaga is more focused on atmosphere and dialogue. There’s little in the way of action, but the weight of the performances and the carefully crafted tension keep things engaging. The dynamic between Baba Yaga and the Doctor is a highlight, as the two try to manipulate each other for their own ends. The story even flirts with the idea that the Doctor herself could be the origin of the Baba Yaga myth but wisely avoids taking that route—it would have been a step too far.

The ending is a bit quieter than expected, resolving itself without a major action sequence, but it works within the story’s tone. That said, the absence of Cosmogon or any direct pursuit by the Time Lords makes this feel slightly disconnected from the overarching Most Wanted arc.

VERDICT: A RICH, ATMOSPHERIC FAIRYTALE WITH A DOCTOR WHO TWIST

The Legend of Baba Yaga trades fast-paced thrills for eerie tension and folklore-driven mystery. Jo Martin continues to shine in the role, and Jacqueline King’s chilling performance makes for a standout villain. While it lacks the momentum of its predecessor and doesn’t push the Most Wanted arc forward much, it’s a captivating, well-crafted story that leans into horror and legend in all the right ways.

📝8/10