At this point I’m not really looking forward to the influx of Jamie Magnus Stone directed episodes over the next two seasons, and the direction in this episode in particular is exhausting. I feel like the common complaints people have with this era’s closeups, wide lenses, light being far too colorful/distracting, etc, are really laid bare in this episode. No framing/blocking decisions felt motivated at all, and it leaves me as an audience member bored visually and wanting more from the script as a result. And there’s not much to that either so this episode upon rewatch was kind of a dud.

O as the Master is something I became very excited about when I watched this on broadcast. I like him a lot in this episode. Sacha Dhawan’s ability to embody the Doctor’s arch rival. There’s a moment where O tempts Graham to learning more about the Doctor, and talking about her contradictory experiences, very clearly setting up the finale. But I think it’s Dhawan’s subtle Masterisms breaking out that makes the scene interesting. Other than the performance, there is not a single clue that O is not who he says he is. On a screenplay level, it rings very hollow on rewatch, and even Dhawan’s performance ended up being pretty tiring as the show went on from what I remember.

The fam are now structurally not a new family anymore, they’ve been family for a while now. I don’t think this is intentional but there are several scenes in this episode where two of the four talk and it’s always revealing how these characters have very little intimacy and yet we feel like the characters are subtly wanting closer connection. Pretty much every relationship between these four has an unspoken awkwardness to it. For example, when Yaz comes back to the mortal world and Ryan comforts her after abandoning her. He apologizes and pats her shoulder and tells her he’ll never let that happen again and Yaz turns and cries. Now there’s no romance there, it’s just two people who are not intimate with each other, and he can’t help her at all because a closer friend or a significant other would be able to understand Yaz. But instead there’s this underlying sadness that this fam will never be a fully happy family, and they’re all happy together because of shared trauma. I know the mixture of unambitious writing and sincerity of the show is likely the cause for this subtext, but the subtext is there.

I like a lot of what’s going on here though. The globetrotting identity of this story works very well in my opinion. The final fifteen minutes are fantastic. The Kasaavin are neat if not a bit generic. Thirteen has a good moment playing against Lenny Henry, which is probably the highlight of the episode.