I have a weakness for this play, I'll readily admit. But then, this play takes the simple premise of "Omega is back after Arc of Infinity" and makes it a fantastic exploration of stories and historymaking as a whole. The play manages to have a cast of characters in which everyone interprets the story in a way that benefits them, be it for money, perceived heroes, love or even sanity. And the best thing is: all of them are wrong about parts of it. The play uses the premise and the setting to explore how stories and heroes are formed, and succeeds marvellously.

Meanwhile, the story also succesfully executes a creepy haunted house murder, with ghosts from the past, and is a super effective character study of Omega to boot. Arc of Infinity pales compared to it.

My very favourite thing was the inclusion of Peylix. Half of the play I spent wondering about his role in events and when the play reveals it it just enhances everything.

Generally, this play is overshadowed by both Davros and Master, but in my honest opinion, Master is nowhere as tightly written as this and Davros is not as deep. This is my favourite Villain trilogy entry.