This story starts poorly. The on location direction is far superior than the stuff done in the studio. I understand the benefits of being on film, but the director (George Spenton-Foster) feels totally out of their comfort zone, arriving at awkward performances. I’m all for more “stage theatre” inspired acting, but at points in this production I have absolutely no idea why certain actors are facing in certain directions, often completely away from the people they are supposed to be talking to.

Although we've been told about what the Fendahl is all about and what it wants, we're not given much of a reason to care. The drama feels detached from any of the character's experiences. They manage to build to a terrifically tense (if a little unearned) cliffhanger which is then totally let down by the resolution for the doctor being completely flat at the beginning of episode two when he ambles away from the apparent threat.

Leela and The Doctor are easily the best thing about this story, I particularly like the "tea and fruit cake" scene. I know it’s a minor point, but Leela’s classic look is really off in this one too, the bun does nothing for her, which probably accounts for why her look is completely reset at the end of the story.

Having said all this, there is enough plot and intrigue to keep the show moving along at a fair pace. It's a small cut above The Invisible Enemy if nothing else.